You talked at length to Michael Lewis about Shane Battier, a player you acquired because his contributions exceeded the obvious stats. Who else on the roster fits that mold, and how are their contributions best measured?
Any time a player's value is in large part tied up in the defensive side of the ball, he's going to be underrated. Chuck Hayes is an extreme example. You couldn't understand why he's in the league if you just looked at the standard box score stats. If you just looked at points, rebounds and assists, you'd think we all need our heads examined.
5.12.2009
BATTIER AND ARTEST
The only thing more surprising than the Houston Rockets' taking an equal share of their series with the Lakers so far is the method the Rockets have used to get there, with two divergent personalities taking an equal stake in the leadership of the team. The Rockets take their cues from both Ron Artest and Shane Battier.
The duties fell to Artest and Battier. In some cases, having more than one leader means there's really no leader. Or the two leaders can split a team into rival tribes like on "Survivor." But in Houston's case, somehow it worked, the players' separate styles complementing, not fracturing. Houston coach Rick Adelman has discovered a different trait in his team under Battier and Artest: "Every night, I knew we were going to get an effort."
Says Rockets forward Chuck Hayes: "With Shane, he demands respect because of his credibility. And Ron, he demands respect because he'll get in your face. We look up to them, we respond to them."
You'll see Artest gathering the players and trying to motivate them. Battier is often the one providing the technical details, pointing out where they should be on defense. He gives the final words to his teammates before they leave the tunnel and take the court, trying to leave them with a couple of last-minute reminders to focus on, like golfers' swing thoughts.
Battier's also the emergency sprinkler system in case Artest or anyone else gets too hot.
"I need to be a stabilizer for this team," Battier says. "It's up to me to stay the course and keep it steady. We have a lot of guys with a lot of emotion. That emotion can be good, and it can be bad. But it's my job to just sort of keep perspective to the guys and just be a calming influence."
That's what you'd expect his task to be.
This isn't going to be one of those "the person behind the scenes is so different from the player you see on the court" stories, because in this case, the players are exactly the way you think of them. Just listen to the way they describe themselves.
Battier: "I'm from the suburbs of Detroit, Michigan."
Artest: "I'm just so hood."
You'd better believe their backgrounds made them the leaders they are today. Battier is the product of a two-parent household, a private high school and four years of college among the trees at Duke. Artest grew up in Queensbridge in New York City, in a home split apart by domestic violence, and he went to school on the urban campus of St. John's.
Sometimes it seems the only thing they have in common is basketball. As Rockets guard Aaron Brooks says, "They both say the same thing, just in different words."
That's the subtle side of Artest, deferring to the big names. He's shrewder than most realize.
"There are certainly times where he's not thinking at all, and he knows that. But there are some things he does that are calculated to try to get an edge, and it's all a competitive edge," Barry said.
Players relate to guys who want to win, no matter what their methods are. Former Laker Rick Fox, observing a late-season Rockets-Lakers game, ran down all of Artest's risky elements, then concluded, "I'd take him on my team in a second."
Artest accidentally broke Michael Jordan's rib in a pickup game when Jordan was tuning up for his 2001 comeback. When Jordan made his return to Chicago with the Washington Wizards that season, Artest kicked him in the leg. And yet, as Jordan tied his necktie in the United Center visitors locker room that day, what did he have to say about Artest? "I love the kid."
As ugly as the brawl at The Palace of Auburn Hills was, the fact that Artest's teammates followed him into the stands and had his back showed their respect for him. They all knew he would do the same for them.
Likewise, there's a high regard for Battier from those who see his preparation and dedication up close.
Spend enough time around the two, and you realize there's a common thread: They don't give a damn. Start with their appearance. Back in November, Battier was the first member of the Rockets organization to be seen in public with one of the bright red jackets that have become a symbol of team pride lately. Artest has sported a Mohawk and various designs shaved into his head including the Rockets logo and the word "Houston" during the second round of the playoffs.
You think Artest is carefree? So is Battier, in his own way.
"I don't really care what anyone thinks of me as a person or a player if you're not my wife or if you're not my good friends," Battier says. "I don't care if I'm never friends with anyone on their team."
Both find themselves with the unenviable task of guarding Kobe Bryant in this series, and neither one seems to mind if he goes for 40 on them. Artest doesn't worry whether talking trash to Kobe will only cause him to turn the heat up higher -- he even jokes that it would make the series more enjoyable for the fans. But his ego won't get hurt if any of the buckets come on his watch.
"It's all about the team," Artest says. "It's all about which team is going to be better at the end of the night."
Battier keeps sticking a hand in Kobe's face, and if Kobe's response is to continue to hit jumper after jumper, all Battier does is put his head down and trudge downcourt, even if Kobe is taunting him.
"There's nothing I can say to him back that's going to erase the fact that he scored two points on me," Battier said. "I learned long ago that I'm not a good trash-talker, so don't even try. It sounds silly coming out of my mouth."
He'll save his words for his teammates, words that complement Artest's, an ongoing conversation that continues as we reach the middle of May.
The duties fell to Artest and Battier. In some cases, having more than one leader means there's really no leader. Or the two leaders can split a team into rival tribes like on "Survivor." But in Houston's case, somehow it worked, the players' separate styles complementing, not fracturing. Houston coach Rick Adelman has discovered a different trait in his team under Battier and Artest: "Every night, I knew we were going to get an effort."
Says Rockets forward Chuck Hayes: "With Shane, he demands respect because of his credibility. And Ron, he demands respect because he'll get in your face. We look up to them, we respond to them."
You'll see Artest gathering the players and trying to motivate them. Battier is often the one providing the technical details, pointing out where they should be on defense. He gives the final words to his teammates before they leave the tunnel and take the court, trying to leave them with a couple of last-minute reminders to focus on, like golfers' swing thoughts.
Battier's also the emergency sprinkler system in case Artest or anyone else gets too hot.
"I need to be a stabilizer for this team," Battier says. "It's up to me to stay the course and keep it steady. We have a lot of guys with a lot of emotion. That emotion can be good, and it can be bad. But it's my job to just sort of keep perspective to the guys and just be a calming influence."
That's what you'd expect his task to be.
This isn't going to be one of those "the person behind the scenes is so different from the player you see on the court" stories, because in this case, the players are exactly the way you think of them. Just listen to the way they describe themselves.
Battier: "I'm from the suburbs of Detroit, Michigan."
Artest: "I'm just so hood."
You'd better believe their backgrounds made them the leaders they are today. Battier is the product of a two-parent household, a private high school and four years of college among the trees at Duke. Artest grew up in Queensbridge in New York City, in a home split apart by domestic violence, and he went to school on the urban campus of St. John's.
Sometimes it seems the only thing they have in common is basketball. As Rockets guard Aaron Brooks says, "They both say the same thing, just in different words."
That's the subtle side of Artest, deferring to the big names. He's shrewder than most realize.
"There are certainly times where he's not thinking at all, and he knows that. But there are some things he does that are calculated to try to get an edge, and it's all a competitive edge," Barry said.
Players relate to guys who want to win, no matter what their methods are. Former Laker Rick Fox, observing a late-season Rockets-Lakers game, ran down all of Artest's risky elements, then concluded, "I'd take him on my team in a second."
Artest accidentally broke Michael Jordan's rib in a pickup game when Jordan was tuning up for his 2001 comeback. When Jordan made his return to Chicago with the Washington Wizards that season, Artest kicked him in the leg. And yet, as Jordan tied his necktie in the United Center visitors locker room that day, what did he have to say about Artest? "I love the kid."
As ugly as the brawl at The Palace of Auburn Hills was, the fact that Artest's teammates followed him into the stands and had his back showed their respect for him. They all knew he would do the same for them.
Likewise, there's a high regard for Battier from those who see his preparation and dedication up close.
Spend enough time around the two, and you realize there's a common thread: They don't give a damn. Start with their appearance. Back in November, Battier was the first member of the Rockets organization to be seen in public with one of the bright red jackets that have become a symbol of team pride lately. Artest has sported a Mohawk and various designs shaved into his head including the Rockets logo and the word "Houston" during the second round of the playoffs.
You think Artest is carefree? So is Battier, in his own way.
"I don't really care what anyone thinks of me as a person or a player if you're not my wife or if you're not my good friends," Battier says. "I don't care if I'm never friends with anyone on their team."
Both find themselves with the unenviable task of guarding Kobe Bryant in this series, and neither one seems to mind if he goes for 40 on them. Artest doesn't worry whether talking trash to Kobe will only cause him to turn the heat up higher -- he even jokes that it would make the series more enjoyable for the fans. But his ego won't get hurt if any of the buckets come on his watch.
"It's all about the team," Artest says. "It's all about which team is going to be better at the end of the night."
Battier keeps sticking a hand in Kobe's face, and if Kobe's response is to continue to hit jumper after jumper, all Battier does is put his head down and trudge downcourt, even if Kobe is taunting him.
"There's nothing I can say to him back that's going to erase the fact that he scored two points on me," Battier said. "I learned long ago that I'm not a good trash-talker, so don't even try. It sounds silly coming out of my mouth."
He'll save his words for his teammates, words that complement Artest's, an ongoing conversation that continues as we reach the middle of May.
5.11.2009
CHAUNCEY BILLUPS
One of Chauncey Billups' ex-teammates -- and there are about a hundred of them -- has his nose pressed against a TV set. The Denver Nuggets have just called time, in the middle of a tight playoff game, and the ex-teammate can't help but notice Chauncey rounding up all the players, all the misfits and flakes, and poking a finger in their chests.
If only these Nuggets understood the history behind this -- because there are pieces of Chauncey Billups strewn all over the league. He might have just rescued George Karl's job and Carmelo Anthony's résumé, but don't be fooled: Billups was once a mystery himself. His eyes are wiser now and his scars are healed, but no elite player in these NBA playoffs has been kicked to the curb as often as he has. None spent their first five seasons on six different teams. None has suited up for 10 different coaches. None has been forced to spend a 12th NBA season revalidating himself.
In a league obsessed with LeBron, Kobe and D-Wade, Chauncey might actually be the one to emulate -- a sturdy playmaker who, mid-career, asked to be taught how to make plays. But now the journey ends where it began, a mile above sea level, with Chauncey teaching his own mercurial team how to pay attention to detail. It's why a zoo of an arena chants "MVP, MVP" in his direction. And it's why his former teammate from Minnesota, a friend he used to call "Unc," wishes he could jump through that TV screen, into that huddle … and tell the Nuggets the whole story. The whole story of "Smooth."
Metro State College in Denver, 1994
A chiseled high school junior is attempting to inbound the ball underneath his own basket. He's trying not to panic, but this is the Colorado state championship game, and no one's open. The referee is signaling one, two, three … and the kid can't stand the thought of a five-second call. The house is packed because of him, because he's Denver's greatest schoolboy player ever, so an embarrassing turnover is unacceptable. Just being disorganized is unacceptable. He hates disorganized.
Suddenly, he notices the defender guarding the inbounds pass has turned his back to him. So 18-year-old Chauncey throws the ball off the defender's rear end, catches it, drop-steps and dunks with two hands. Chauncey has himself a bucket and an assist.
His father's car, 1984-1993
Wherever Ray Billups goes, little Chauncey goes -- and usually, Ray is driving to play basketball somewhere. Ray, in his day, had been an accomplished scorer at Denver's East High School, but, as an adult recreational player, he has turned himself into a selfless distributor. He tells Chauncey to watch how he shares the ball, that point guard is the greatest position on earth. Chauncey, as an 8-year-old, sits and watches most of Ray's games, bouncing a ball the entire time.
Chauncey wants to play basketball with his dad every waking minute, because they're best friends. But Ray has to work. He is up every day at 3:30 a.m., to begin an eight-hour shift at Denver's Safeway warehouse, in frozen foods. So when Ray's not around, Chauncey puts up a coat hanger on a basement door to use as a basket. He shoots a hard, miniature basketball into the coat hanger all day, tearing up the walls. But Ray just smiles.
Ray can tell right away that Chauncey has potential. The kid's sixth-grade team at the rec center is coached by one of the Nuggets' players, Bobby Wilkerson from Indiana, who likes to give a nickname to every kid on the team. But Wilkerson saves his coolest nickname for Chauncey --"Smooth" -- and it sticks. Before long, all over Denver, there's talk of a junior high prodigy called Smooth. Few know his real name, which is how his legend begins.
The more hype Chauncey gets, the more he's a target, and Ray knows he has to toughen him up. In one high school game, an opponent deliberately steamrolls Chauncey. Ray, normally soft-spoken, stands up and, in the direction of the opposing coach, snarls, "That's how you want to play? Chauncey do it right back to him." Chauncey obliges, and, after that, few in Denver get physical with Chauncey again -- "because they all think I'm crazy," Ray says.
Because father and son are always in Ray's car, heading to some game or some gym, Ray has taught Chauncey how to drive at the age of 13. The kid is so mature for his age, he can handle it, and no subject between the two of them is out of bounds … even Ray's drinking.
Back in those days, Ray is shooting pool a lot and throwing back several drinks along the way. He says it's a "bad, awful" habit, and that he often picks Chauncey up in his car with alcohol on his breath. "I was getting pretty tipsy," Ray says, "and we'd be in the car and come home. And he didn't like the way the liquor smelled, and he just said he wasn't going to drink, because of the way it made me feel. My stomach hurt all the time."
By 1993, Ray is diagnosed with pancreatitis, and Chauncey's ecstatic when he hears his father has given up booze. One year goes by, still no drinks. Two years, still no drinks. Four years, still no drinks. Chauncey realizes people can change, realizes what inner strength is. Every morning, his father is still getting up at 3:30 for work. Chauncey begins getting up early himself, to play ball.
Poplar Street, 1997, to out on the street, 2000
He is sitting in Ray and Faye's kitchen, handing them the deed to a new home. It's all theirs, 2,500 square feet of high ceilings and marble tile. But Faye is shaking her head: No, no, no. She doesn't want to move out of Park Hill, doesn't want to abandon her family and friends. She'll let Chauncey buy her an E-Class Mercedes with his new $2,384,640 salary, but her yellow and red brick house isn't going anywhere.
Chauncey then asks Ray if he still wants to work, if he still wants to rise and shine every morning at 3:30 and drive to the Safeway warehouse in raw temperatures. Ray says, "Of course." This is Chauncey's blue-collar family, like it or not. They are ensconced in their lives and priorities, and they'll only agree to let Chauncey remodel the inside of their home on Poplar Street. So Chauncey hires someone to put in a new garage, new walls and hardwood floors, and heads back to Boston.
The Celtics, unfortunately, are still mourning the fact they've lost the Tim Duncan Sweepstakes. Duncan, Duncan, Duncan -- it's all their fan base can talk about. New coach Rick Pitino had been banking on winning the draft lottery, and when he doesn't, his patience with lesser rookies is limited. Chauncey tells his longtime girlfriend, Piper Riley, that he senses Pitino doesn't like him, and, the truth is, Pitino doesn't respect Chauncey's point guard skills. It's not Chauncey's fault he had to shoot first at CU, but when Pitino sees Chauncey's indecisiveness running the offense, he shops him instead of bearing with him. Then, 51 games into his rookie season, averaging 11.1 points and 4.3 assists, Chauncey is traded to Toronto for Kenny Anderson.
"I was a scoring point guard," Chauncey says. "And if you recall, at that time a scoring point guard wasn't all that popular. It was like a running quarterback."
He goes to Toronto and it hits him: "I don't know when to score and when not to." He finds it difficult, as a point guard, to tell grown men what to do, and he loses his swagger. His image, meanwhile, is in the tank. He is the first first-round pick to be traded as a rookie since Rick Robey in 1978-79, and the labeling starts: He's a bust. He's a shooting guard in a point guard's body. He's selfish.
"It made me look bad," he says. "Because who does that? Who gets traded halfway through their rookie season when they're the third overall pick?"
That summer, he returns home to Denver, where his buddies and his cousins begin throwing him parties, celebrating who he was, or, in his mind, who he used to be. It's not like him to go to clubs night after night -- he has learned that lesson from Ray -- but if ever he needed adulation, now is the time. He doesn't drink much in these clubs, but he's hanging out, throwing money around.
"He'd been humbled," says Piper, who had just given birth to Chauncey's first child, a daughter named Cydney. "You're the third pick and they trade you? But then he comes home and he's still The Man. Everyone is still loving you like before. He's in his comfort zone again.
"It put a strain on our relationship. He'd be chilling out during the day, going to clubs at night, going on guy trips. I might see him a little bit during the day, but just a little bit."
He parties all the way into January, because the NBA owners have staged a lockout. But when the lockout's lifted, there's news: Chauncey has been traded again, this time to Denver. Poplar Street is just 15 minutes from the arena; he should be euphoric. But after his first practice he's asking himself: When is someone going to let me be a point guard? His new coach in Denver, a young Mike D'Antoni, is telling him he's not going to be a point guard or a shooting guard, but a hybrid. He plans to pair Chauncey with Nick Van Exel, another shoot-first would-be point guard, and let them figure it out themselves: who shoots, who passes, who dribbles. Deep down, Chauncey hates it. Remember high school? Chauncey still hates disorganized.
Worse, being in Denver gives his cousins and buddies the chance to keep riding his coattails. "I didn't want him to come back home," Faye says, "because his family's begging him for tickets, begging for money, begging, begging, begging. And then they would try to influence him to go out and party."
His numbers throughout 1998-99 seem respectable: 13.9 points and 3.8 assists. He can get to the basket whenever he wants; the problem is, once he's there, he's often caught up in the air with an unmakeable shot and nobody to pass to. After the season, the Nuggets fire D'Antoni and hire Dan Issel, and before Issel can figure out what to do with him, Chauncey sprains an ankle and then dislocates his shoulder. He's out for the season, and at the trade deadline is dealt to Orlando, his fourth team in three seasons. Chauncey's floored, because he's simply a throw-in for salary cap reasons, a warm body tossed in so the contracts can match up. "I'm like, 'I'm injured. I can't help Orlando. I can't help nobody. I ain't even relevant,'" Chauncey remembers. "The teams said, 'Put his salary in, not him.' That's the trade I took most personal."
He doesn't go on the road or practice with the Magic, and the Orlando front office has no intention of re-signing him. First of all, they -- like everyone else -- still think he's a 2-guard in a point guard's body, but, mostly, they are on mission to clear cap space to sign Tim Duncan. It's always Tim Duncan.
When the season ends, Chauncey sits distraught in his parents' kitchen on Poplar Street. Faye is washing dishes in the house she loves, and she tells him exactly what Grandma Florence used to tell her. Let it go. Move on. Then, the phone rings. It's Kevin Garnett.
Kevin Garnett's basement, 2000 to 2002
KG, his old buddy from the 1995 McDonald's All-American high school game, is recruiting Chauncey, relentlessly. He wants Chauncey to sign in Minnesota, and to entice him, he invites him to his Minneapolis home. On the wall in the cellar is a poster. It reads: The Billups Suite.
After Chauncey signs, KG introduces him around the locker room. "This is my point guard, Terrell Brandon," KG says, "and this is Pops -- Sam Mitchell."
At first, Brandon and Mitchell don't say much. They have seen Chauncey bounce from team to team, have seen his erratic shot selection. They are civil, but have no sense he can fit into their team-first philosophy. But, as the days and practices go by, Chauncey begins tugging on their sleeves, asking questions. At training camp dinners, he makes sure to sit next to Brandon, an All-Star and past winner of the NBA's Sportsmanship Award. "He's always on my right side," Brandon says. "He's moving guys out of the way so he can sit right next to me."
Chauncey even moves into the locker next to Brandon. He asks him how he knows when to shoot and when to share, and Brandon tells him to simply move the ball. He says his job as a point guard is to make teammates blissful, to get KG 20 shots a game and Wally Szczerbiak 15, to have no ego. He teaches Chauncey how to watch film, how to spend the first half reading how the defense is playing the pick-and-roll … and how to adjust in the second half. He tells him that if KG doesn't have double-figure points by mid-second quarter to start feeding him the rock. He tells him if KG still can't score, then you start scoring. He tells him to know everyone's foul situation -- on both teams -- to know who's already been hit with a technical foul, who's ripe to lose his cool.
"And another thing, you and I can't have more than two turnovers a game."
"Two? Just two?" Chauncey says, laughing.
"Actually, two is too many," Brandon says, not laughing.
Meanwhile, Chauncey marvels at how close KG and Mitchell are. Mitchell is a dozen years older, and yet he and KG seem connected at the hip. Chauncey wants some of that wisdom, too, so he starts asking Mitchell about NBA life, about how to lead his own team someday.
Mitchell tells Chauncey that in order to lead he must learn to follow. He tells him he must be coachable, that he can't be a know-it-all. He tells him there can be no partying the night before games, and no fast food in his diet. He tells him that, if nothing else, he must remember this one basketball maxim: If you take care of the person to your right and the person to your left, the person who benefits most is the one in the middle.
Chauncey clamors for more, so Mitchell begins inviting him to join his early morning breakfasts and workouts with KG. Chauncey always arrives first, which surprises Sam, who doesn't know about Ray and the 3:30 a.m. wake-up calls. "You had heard all this stuff," Mitchell says. "You had heard he was a selfish guy, not a good teammate, that all he wanted to do was shoot the ball. But now he's asking me a thousand questions. I was like, 'This is not the guy I heard about.' So I asked him, 'What happened?' He said in Boston no one ever tried to teach him the position. They just said, 'Look, we're going to bring you off the bench and, when you come in the game, shoot every time you get the ball.' So that's what he did."
Ironically, that's exactly what Flip Saunders, his new coach, tells Chauncey to do, too: Shoot it. And Chauncey hates that. But, on Mitchell's advice, he's coachable and follows orders. He becomes a shooting guard and backup point guard, caddying for Brandon and averaging a respectable if unfulfilling 9.3 points and 3.4 assists in his 23 minutes a game.
By training camp the following year, 2001, Mitchell is calling KG his son and Chauncey his nephew. And Chauncey is calling Mitchell "Unc" (short for uncle). At an early morning breakfast one day, KG complains that people still think of him as the "The Kid." Mitchell looks at both of them and says, "Then pull your britches up and put on a tie and jacket. And when people talk to you, look them straight in the eye and give them a direct answer. They treat you like kids because you hold your head down when you talk to people! You act like a kid. Hold your head up, pull your britches up, look people in the eye. Then you'll be a man."
Something clicks. Chauncey tells Piper, whom he has just married, to buy him suits and ties. Then, in February, Brandon suffers a season-ending injury. Finally, Chauncey's a starting NBA point guard. And all he does is take Minnesota to the playoffs. "The light just went on for him," Brandon says. "You could see the elevation. He got taller, bigger, wider. Confidence makes you larger, man. It makes you a superstar."
In the playoffs, against a loaded Dallas team, Chauncey averages 22 points, 5.0 rebounds and 5.7 assists, and although the Wolves are swept, his timing is stellar. He's a free agent now, and learns he has a secret admirer: Detroit GM Joe Dumars. Dumars offers him $4.5 million, the mid-level exception, which the Timberwolves are willing to match. But there's a caveat: G.M. Kevin McHale tells him, "I have to be honest. Terrell's still our starter."
Chauncey thanks McHale for being frank and accepts the Pistons deal, his sixth team in five years. Mitchell almost cries when he hears the news, but Chauncey thanks him and Brandon for making him a point guard. Then, in the Billups Suite, Chauncey and KG share a goodbye embrace.
Both their britches are up.
The NBA Finals, 2004
The lights are down, the crowd's on its feet, Shaq and Kobe are on the opposing bench and the P.A. announcer is revving up his tonsils. And, at guard … Chauncey B-B-B-B-Billups!
His time in Detroit has been an absolute blur. In his first season there, under coach Rick Carlisle, he hits numerous game-tying or game-winning 3-point bombs, earning him the nickname "Mr. Big Shot." But more than that, he is Mr. Calm. No one can rattle him, and his attitude begins to rub off favorably on two young teammates: Rip Hamilton and Tayshaun Prince.
All three have come to town together -- Chauncey via free agency, Hamilton via trade and Prince via the draft -- and Chauncey quickly becomes their counselor. Hamilton is the hyper one who constantly nags the refs, so Chauncey always steps in to say, "Move on." And Tayshaun is the passive one, so Chauncey has to step in to say, "Push on." Under Carlisle in 2002-03, the Pistons win 50 games.
But Detroit is swept by New Jersey in the Eastern Conference finals, and Dumars replaces Carlisle with the maniacal Larry Brown. Mitchell played for Brown at Indiana, so Chauncy calls for a scouting report. "Let me tell you something, nephew," Sam says. "You're going to hate his guts the first 25 games, and then the next 16 you'll start figuring him out. The last 41 … you're going to be the best you've ever been."
Mitchell's prophetic; early in that 2003-04 season, Chauncey tells him, "Unc, I don't know if I'm going to make it. I can't do nothing right." But by March, Chauncey is a finished product. He spends the first half of games analyzing and probing the defense, letting everyone else find their groove, and, in the third quarter, he attacks. Sometimes, he even waits until the fourth, and Sam tells him, "Remember how I told you in order to lead, you had to learn to follow? Well, you learned how to follow in Minnesota, and Larry's taught you how to lead."
In the conference semifinals, the Pistons are down 3-2 to the Nets, facing a Game 6 at the Meadowlands. Before the morning shootaround, Brown bumps into his Carolina buddy George Karl, who's announcing the game for ESPN. Karl has never met Chauncey, but Brown, worried Chauncey might be tuning him out, asks Karl if he'll tell Chauncey to be more assertive. Karl introduces himself to Chauncey, tells him his decisions will decide the game. They shake hands. They say they will see each other down the road.
That night, led by Chauncey, the Pistons win Game 6 by six points and, a couple of days later they take Game 7 by 21. Soon, they are in the NBA Finals -- against Shaq, Kobe and Phil -- with Chauncey staring at Ray and Faye in the fifth row for a championship-clinching game. Chauncey isn't the emotional type, but he's near tears thinking about it. Ray, the best man at Chauncey's wedding, is still working at Safeway, still getting up every morning at 3:30. In fact, Ray has had to switch shifts with co-workers or take vacation time just so he can attend these playoff games.
After the Pistons clinch in five games and Chauncey is named Finals MVP, Ray and Chauncey lock in a long embrace -- a couple of blue-collar guys -- and all those teams that traded Chauncey or let him walk … they have no idea. "When I led a team to the championship is ultimately when I said, 'Ain't nobody who can tell me nothing,'" Chauncey says. "And it wasn't like I was on the bench along for the ride. I was driving. I was driving."
Chauncey invites Ray and Faye to the postgame party, where the champagne is flowing. But Ray does not take a sip. Thirteen years now, and no drinks. No one is more appreciative of Ray than Chauncey, and he wants to do something for him. So, months later, a box arrives in the mail at Poplar Street. Inside the box is a ring, a Pistons championship ring, just for Ray.
He puts it on his finger … and then stops to read the engraved inscription, on the side, near the gold:
Billups: The Right Way.
Hiawatha Davis Jr. Rec Center, Denver, July 1, 2004
It is weeks after the Pistons' title, and the celebration has shifted West to the Rocky Mountains. Denver Mayor John Hickenlooper has decided to give Chauncey the key to the city and name him honorary mayor of Park Hill for a day. About 600 people gather at the old Skyland Rec Center, now renamed Hiawatha Davis, to shout, "Smooooooooth."
"This is the most significant sports event in Denver since the Broncos won the Super Bowl," former Denver Mayor Wellington Webb tells the crowd. "He put the city on the map in terms of great basketball."
The following season, 2004-05, the Pistons return to the Finals, where there's that man again, Tim Duncan. Chauncey's playoff numbers actually improve (to 18.7 points, 6.5 assists), but the Pistons still lose in seven games. Dumars fires Larry Brown and brings in Chauncey's old coach from Minnesota, Flip Saunders. Chauncey can run Saunders' offense with his eyes closed, but Saunders can only take Detroit as far as the East finals, three consecutive years, including a loss to the Celtics last spring.
That Boston series is a painful one. Chauncey plays through a hamstring injury, and Boston's Rajon Rondo makes him look decrepit. Chauncey hears the whispers -- He's 32, he's peaked, he's done -- and is castigated for the first time in Detroit. "Here I am out there trying to tough it out," Chauncey says. "But all I'm hearing is, 'Damn, Chauncey's getting old.'"
After the season, Dumars implies heads might roll. First, he fires Saunders and, at a news conference, he claims the Pistons have "no sacred cows … everybody is in play." He already has let Ben Wallace walk in 2006, and now the question is, Who's next? As the summer of 2008 begins, all signs point to Chauncey.
That offseason, back in Denver, Chauncey bumps into Karl, and the two exchange war stories. Karl asks why the Pistons change coaches so much, why they "blew up" Brown and Saunders. He asks Chauncey if Dumars is serious about making trades.
Chauncey isn't sure, but a soothing word pops into Karl's mind as he speaks with Chauncey:
Karma.
The Pistons' team charter en route to Charlotte, Nov. 2, 2008
Unaware his world is about to go spinning, Chauncey is flying to North Carolina for an early season game against the Bobcats.
The night before, Piper had predicted he'd be gone by the trade deadline, but Chauncey told his wife, "Why would you say that? We're going to win a championship this year."
But Piper's right; the Pistons want Chauncey out ASAP. First of all, they love Rodney Stuckey and think he can be Chauncey's heir apparent, and they also think their current roster has maxed out. More than that, they're trying to clear cap space so they can make a run at LeBron James, Chris Bosh or Dwyane Wade in the summer of 2010. Rasheed Wallace's contract will be expiring after the season, and if they can deal Chauncey for another expiring contract -- say, Allen Iverson's -- then they'll have cap room galore.
Dumars, before he agrees to settle for Iverson, reportedly asks for Carmelo Anthony. If not for the Olympics, maybe Denver would've considered it -- or at least discussed it -- but Anthony has shown in Beijing that he's more serious about the game. He has played stout defense for Team USA, and, during the ensuing Nuggets training camp, he promises George Karl he'll do it again for him. So Anthony is going nowhere. It has to be a Billups-for-Iverson swap.
The talks are finalized before the team flies to Charlotte, and, on the flight, Chauncey can tell he's being ignored. "He notices Joe and none of the coaches can even look at him," Ray says. "And that's when he knows something is wrong."
When the flight lands, he chats with Antonio McDyess, who tells him about the impending trade. It isn't official yet, but the Pistons have filled McDyess in, because they need to trade his salary to balance the deal. They tell him that Denver will waive him, and they'll want to re-sign him. But they tell Chauncey nothing.
Though he has been traded three times before, it still stings. At the team hotel, on Nov. 2, Dumars and the coaches are staying right down the hall from him, but no one invites him down for a goodbye chat. Then, on the morning of Nov. 3, before the shootaround, it becomes official: Chauncey to Denver.
He's going home again, but he calls Piper and tells her it feels bittersweet. "I've been through some dark alleys with them dudes, man,'' he tells her. "They're my brothers."
He begins packing at the team hotel, when there's a knock on the door. It's Hamilton and Prince, the trio together one last time. They embrace, cry, laugh and reminisce. They call Ben Wallace, a Cavalier now, and put him on speaker phone. Hamilton is the most affected of all. He has just signed an extension, and he tells Chauncey he wants to be traded now, that if he'd known they were going to trade Chauncey, he never would've re-upped in Detroit.
They keep talking about games, moments, shots. Hamilton has always told Chauncey he wants his toddler son to someday marry Chauncey's toddler daughter, and he brings it up again. It goes on this way for three incredible hours that Chauncey says, "I'll never forget. We were, 'Wow, wow,' in disbelief. Just coming to the realization it was over.'"
Eventually, Chauncey tells them he has a flight to catch, and he walks out the door. The three of them enter the elevator, and Chauncey pauses to give Hamilton a last hug.
Hamilton breaks down, sobbing. Absolutely sobbing.
George Karl's basement, Denver, Nov. 3, 2008
The trade is one minute old when Karl, the verbose coach of the Nuggets, begins to meditate. For five to 10 minutes in his cellar, he takes deep, patient breaths. He feels a certain lightness come over his body, a sense of peace. He thinks this is perhaps a sign.
Iverson has been popular but counterproductive in Denver. Key members of the organization say that Iverson has partied some nights until 3 in the morning, and that Denver's two most crucial players -- Anthony and J.R. Smith -- have tried to keep up with him. They say Anthony and Smith look at Iverson with reverence, the same way Chauncey's generation looked at Michael Jordan. So when A.I. says, "Let's go out,'" they go out. When A.I. wears a sleeve on his arm, they wear a sleeve. Especially the impressionable Smith, who has never met a shot he didn't like.
The Nuggets have managed to win 50 games in 2007-08 living this way, but it's clear they have hit their ceiling. A.I., Anthony and Marcus Camby are all "ball stoppers," meaning they rarely pass. A lot of times, the Denver offense has consisted of Iverson dribbling right, Iverson dribbling left and Iverson taking a fadeaway. The sorry offense has led to sorrier defense, but Karl's pleas for ball movement have fallen on deaf ears.
In training camp this season, the players -- led by Anthony and Kenyon Martin -- try to buy in. They promise Karl they'll be professional and play defense … even Iverson. "But you never know," Karl says. "If you lose seven of eight games, they may stop listening and start partying again."
The early practices go well, although Nuggets officials sense that Iverson's legs aren't fresh and that his late nights might be catching up to him. They're dying to make the Chauncey trade -- after moving Camby over the summer -- and when the deal goes down, Karl can't get Chauncey to town fast enough.
"I just don't think I would've survived," Karl says. "I would've quit or they would've fired me. Management gets tired of the coach complaining about the same thing. There was a posse of people in Denver that were tired of George Karl."
When he arrives, Chauncey isn't sure what to make of the Nuggets. On paper, he adores their talent. He has worked out with the unpredictable Smith in the past, and has told people Smith can be an All-Star. But his worry is tempo, decision-making. He hates disorganized. "The way they played before I got here was erratic," Chauncey says. "I call it dysfunctional. No discipline. I need some stability. I can't play like that. This game means too much to me."
Karl calls a meeting to introduce Chauncey, who tells his new teammates, "Look, I'm here to win. I ain't here to do a lot of talking. I'll walk the walk, and hopefully y'all be the same way, and we'll be on the same page."
Next, they go over all of the team's plays. Chauncey nods, but, inside, he has a sick feeling. For instance, the Nuggets don't have an underneath-the-basket out-of-bounds play. This isn't high school.
The Pepsi Center, Denver, Nov. 7, 2008
Chauncey's driving to the arena -- from Poplar Street -- for his Nuggets debut against the Mavs, and as he approaches the arena, he sees "Welcome Home" signs and his picture on a billboard. He's got something special for his hometown fans tonight: When he peels off his warm-up suit after introductions, they see his number: No. 7. For John Elway. He wants to be their John Elway.
Chauncey is Denver, through and through, and he senses playing at home is going to work this time. Most of the friends and family who begged for tickets 10 years before are older, married and self-sufficient. The knuckleheads are no longer in his life. He can just play ball. Ray and Faye, married 35 years, are seated in the fifth row. Ray keeps checking his watch. He still needs to get up at 3:30 for work the next morning. Here's Chauncey in his 12th year in the NBA, and here's Ray is in his 32nd year in a Safeway warehouse. Ray plans to retire at the end of the season, but not now.
After halftime, Chauncey nods to his parents … and starts to attack. He hits an 18-footer and a 3-pointer to start the third period. Always the third quarter, just like in Detroit. He wants this game badly, to prove to the Pistons, to everybody.
With 2:54 left in the fourth quarter, the Nuggets are clinging to a 99-98 lead, when the ball goes out of bounds to the Nuggets underneath their own basket. Chauncey's fear is realized. The team has no out-of-bounds play. Karl just wants them to improvise, to use their basketball instincts, but Chauncey can't live that way. So he calls time.
In the huddle, they're all stumped. Smith tells Anthony: "He just got here, and he's calling timeouts?" But Chauncey waves them close and starts in: "Look, George, I need you to draw me up an out-of-bounds play, man, to get the ball in. Because if we don't and we turn the ball over and lose this game because we didn't have something, that just won't sit well with me."
Karl and the team's response is: wow!
The Pepsi Center, April 19, 2009
After a 54-win season, the Nuggets are the No. 2 seed in the Western Conference. It has been a memorable year. Before an early-season game in Boston, Chauncey challenges his teammates' manhood, and the Nuggets end up beating the champion Celtics at their own game. On nights Keynon Martin and Anthony are on the brink of technical fouls, Chauncey steps in and argues for them, getting the techs himself. He polices the locker room, calms down the players who brood over Karl. The Nuggets don't know his story. One day, Martin approaches him and says, "All them times you got traded, I just thought you must've been like the biggest a------. You'd play good, but get traded. I thought something was wrong with you."
The truth is, there's something right with Chauncey. He's like a psychologist to the NBA stars. On a night he's watching "Desperate Housewives" with Faye on Poplar Street, Hamilton calls from Detroit to complain about being benched. Hamilton goes on so long, Chauncey misses the whole hourlong episode. The Pistons are absolutely lost without him. Before he left, Chauncey had been Pistons head coach Michael Curry's truest ally, and even had hired Curry's sister-in-law to be his nanny. But, without Chauncey, Curry has no sergeants, no one to talk Rasheed Wallace off the ledge or lower Hamilton's blood pressure.
But the Nuggets are grateful to have him, and team camaraderie skies through the roof. When the players notice Chauncey always finger-rolls his layups -- to preserve energy -- Martin promises to give him $500 if he ever dunks. Then, in Minnesota, Chauncey slams one, and the bench is in stitches. "Did we know he'd be this good for us? No," Karl says. "He's a gift from the basketball gods."
It has been a stunning transformation. And as the Nuggets enter the building, one by one, for their playoff opener against New Orleans, their two most talented, enigmatic players -- Anthony and Smith -- are dressed to kill. Anthony is wearing a grey pinstripe suit, and Smith is wearing black dress pants. Chauncey has made them pull up their britches.
"'Melo and J.R. have dressed up more this year than they ever have," team executive Rex Chapman says. "Not that that wins games for you, but Chauncey's taught them it's OK not to be on cool duty all the time."
Smith, in particular, tells people no one has ever influenced him more than Chauncey. On the court, Chauncey wants him talking on defense, and off the court, Chauncey wants him out of clubs. And Smith is all ears. After a game one night, Smith asks Chauncey why he only shot six times, and Chauncey tells him, "I read the game. I don't play for stats. I don't play for none of that no more. I play for the win." Smith's reaction: "Damn. Makes sense."
Anthony's basketball IQ is up, too. His only major negative incident comes March 1 in Indiana, when he refuses to come out of a game. That night, Anthony had been struggling with his shot, and when he finally hit a couple in a row, he didn't want to sit. The front office suspends him one game, but in his first game back he sprints off the floor whenever Karl takes him out. Apparently, Chauncey's idea.
"This season, my stress level has gone so far down," Anthony says. "It's gone from an eight to a zero. That load's been taken off my shoulders. It's what I've been looking for. You don't have to go out there and try to do it yourself."
On the night of the playoff opener, though, Anthony is nervous. In fact, all the Nuggets seem tight. On the opening offensive play, Nene goes the wrong way, and the team bricks its first three shots. Karl calls a timeout, but only one person is talking and wagging a finger: Chauncey.
"How can you f--- up the first play of the playoffs, Nene! You can't f--- up the first play! Get your heads in this!"
It's clear the Nuggets are deer in headlights. The franchise hasn't won a first-round series in 15 years; Anthony has never been to the second round. So why should Chauncey wait until the third quarter? He starts shooting immediately. He makes eight of nine 3-pointers overall, scores 36 points and has zero turnovers in a Nuggets blowout. Chauncey's sent an early playoff message: Relax, I've got your back.
In Game 2, he racks up 31 points and zero turnovers in another blowout. But he doesn't just play a good game, he talks one. During every timeout, he drops pearls of wisdom. Sam Mitchell and Terrell Brandon, each watching at home, swear they can hear Chauncey through the TV set. And they're pretty sure that after a series of hard fouls in Game 3, Chauncey is telling the guys, "Move on." Move on.
Meanwhile, back East, the Pistons -- who finish their season under .500 -- are being swept by the Cavaliers. Iverson has spent the year griping about playing time and is out with a back injury. "I guess they found out what I meant to the team," Chauncey says.
If Chauncey wasn't an MVP candidate before, he is now. In six months, he has saved the Nuggets and destroyed the Pistons, all in one fell swoop. Charles Barkley and Kenny Smith call him "The Bodyguard." Tim Duncan -- that Tim Duncan -- says he has put a head on Denver's athletes. He's getting celebrated. He wins -- get this -- the NBA's Joe Dumars Trophy for sportsmanship. Mark Warkentien, his GM, is named executive of the year for acquiring him. It's Christmas in May. In 12 seasons, four teams have traded him, two teams have let him walk and he still has the only job he ever wanted: point guard on a team deep in the playoffs.
When Sam Mitchell gives clinics nowadays, he tells kids, "Let me tell you the story of my nephew, Chauncey Billups." And when Chauncey Billups gives clinics, he tells kids, "Let me tell you the story of my uncle, Sam Mitchell." This is not the cycle of life; this the cycle of the NBA. Help the player on your right (Carmelo Anthony), help the player on your left (J.R. Smith), and the one who benefits the most is the one in the middle.
Smooth.
If only these Nuggets understood the history behind this -- because there are pieces of Chauncey Billups strewn all over the league. He might have just rescued George Karl's job and Carmelo Anthony's résumé, but don't be fooled: Billups was once a mystery himself. His eyes are wiser now and his scars are healed, but no elite player in these NBA playoffs has been kicked to the curb as often as he has. None spent their first five seasons on six different teams. None has suited up for 10 different coaches. None has been forced to spend a 12th NBA season revalidating himself.
In a league obsessed with LeBron, Kobe and D-Wade, Chauncey might actually be the one to emulate -- a sturdy playmaker who, mid-career, asked to be taught how to make plays. But now the journey ends where it began, a mile above sea level, with Chauncey teaching his own mercurial team how to pay attention to detail. It's why a zoo of an arena chants "MVP, MVP" in his direction. And it's why his former teammate from Minnesota, a friend he used to call "Unc," wishes he could jump through that TV screen, into that huddle … and tell the Nuggets the whole story. The whole story of "Smooth."
Metro State College in Denver, 1994
A chiseled high school junior is attempting to inbound the ball underneath his own basket. He's trying not to panic, but this is the Colorado state championship game, and no one's open. The referee is signaling one, two, three … and the kid can't stand the thought of a five-second call. The house is packed because of him, because he's Denver's greatest schoolboy player ever, so an embarrassing turnover is unacceptable. Just being disorganized is unacceptable. He hates disorganized.
Suddenly, he notices the defender guarding the inbounds pass has turned his back to him. So 18-year-old Chauncey throws the ball off the defender's rear end, catches it, drop-steps and dunks with two hands. Chauncey has himself a bucket and an assist.
His father's car, 1984-1993
Wherever Ray Billups goes, little Chauncey goes -- and usually, Ray is driving to play basketball somewhere. Ray, in his day, had been an accomplished scorer at Denver's East High School, but, as an adult recreational player, he has turned himself into a selfless distributor. He tells Chauncey to watch how he shares the ball, that point guard is the greatest position on earth. Chauncey, as an 8-year-old, sits and watches most of Ray's games, bouncing a ball the entire time.
Chauncey wants to play basketball with his dad every waking minute, because they're best friends. But Ray has to work. He is up every day at 3:30 a.m., to begin an eight-hour shift at Denver's Safeway warehouse, in frozen foods. So when Ray's not around, Chauncey puts up a coat hanger on a basement door to use as a basket. He shoots a hard, miniature basketball into the coat hanger all day, tearing up the walls. But Ray just smiles.
Ray can tell right away that Chauncey has potential. The kid's sixth-grade team at the rec center is coached by one of the Nuggets' players, Bobby Wilkerson from Indiana, who likes to give a nickname to every kid on the team. But Wilkerson saves his coolest nickname for Chauncey --"Smooth" -- and it sticks. Before long, all over Denver, there's talk of a junior high prodigy called Smooth. Few know his real name, which is how his legend begins.
The more hype Chauncey gets, the more he's a target, and Ray knows he has to toughen him up. In one high school game, an opponent deliberately steamrolls Chauncey. Ray, normally soft-spoken, stands up and, in the direction of the opposing coach, snarls, "That's how you want to play? Chauncey do it right back to him." Chauncey obliges, and, after that, few in Denver get physical with Chauncey again -- "because they all think I'm crazy," Ray says.
Because father and son are always in Ray's car, heading to some game or some gym, Ray has taught Chauncey how to drive at the age of 13. The kid is so mature for his age, he can handle it, and no subject between the two of them is out of bounds … even Ray's drinking.
Back in those days, Ray is shooting pool a lot and throwing back several drinks along the way. He says it's a "bad, awful" habit, and that he often picks Chauncey up in his car with alcohol on his breath. "I was getting pretty tipsy," Ray says, "and we'd be in the car and come home. And he didn't like the way the liquor smelled, and he just said he wasn't going to drink, because of the way it made me feel. My stomach hurt all the time."
By 1993, Ray is diagnosed with pancreatitis, and Chauncey's ecstatic when he hears his father has given up booze. One year goes by, still no drinks. Two years, still no drinks. Four years, still no drinks. Chauncey realizes people can change, realizes what inner strength is. Every morning, his father is still getting up at 3:30 for work. Chauncey begins getting up early himself, to play ball.
Poplar Street, 1997, to out on the street, 2000
He is sitting in Ray and Faye's kitchen, handing them the deed to a new home. It's all theirs, 2,500 square feet of high ceilings and marble tile. But Faye is shaking her head: No, no, no. She doesn't want to move out of Park Hill, doesn't want to abandon her family and friends. She'll let Chauncey buy her an E-Class Mercedes with his new $2,384,640 salary, but her yellow and red brick house isn't going anywhere.
Chauncey then asks Ray if he still wants to work, if he still wants to rise and shine every morning at 3:30 and drive to the Safeway warehouse in raw temperatures. Ray says, "Of course." This is Chauncey's blue-collar family, like it or not. They are ensconced in their lives and priorities, and they'll only agree to let Chauncey remodel the inside of their home on Poplar Street. So Chauncey hires someone to put in a new garage, new walls and hardwood floors, and heads back to Boston.
The Celtics, unfortunately, are still mourning the fact they've lost the Tim Duncan Sweepstakes. Duncan, Duncan, Duncan -- it's all their fan base can talk about. New coach Rick Pitino had been banking on winning the draft lottery, and when he doesn't, his patience with lesser rookies is limited. Chauncey tells his longtime girlfriend, Piper Riley, that he senses Pitino doesn't like him, and, the truth is, Pitino doesn't respect Chauncey's point guard skills. It's not Chauncey's fault he had to shoot first at CU, but when Pitino sees Chauncey's indecisiveness running the offense, he shops him instead of bearing with him. Then, 51 games into his rookie season, averaging 11.1 points and 4.3 assists, Chauncey is traded to Toronto for Kenny Anderson.
"I was a scoring point guard," Chauncey says. "And if you recall, at that time a scoring point guard wasn't all that popular. It was like a running quarterback."
He goes to Toronto and it hits him: "I don't know when to score and when not to." He finds it difficult, as a point guard, to tell grown men what to do, and he loses his swagger. His image, meanwhile, is in the tank. He is the first first-round pick to be traded as a rookie since Rick Robey in 1978-79, and the labeling starts: He's a bust. He's a shooting guard in a point guard's body. He's selfish.
"It made me look bad," he says. "Because who does that? Who gets traded halfway through their rookie season when they're the third overall pick?"
That summer, he returns home to Denver, where his buddies and his cousins begin throwing him parties, celebrating who he was, or, in his mind, who he used to be. It's not like him to go to clubs night after night -- he has learned that lesson from Ray -- but if ever he needed adulation, now is the time. He doesn't drink much in these clubs, but he's hanging out, throwing money around.
"He'd been humbled," says Piper, who had just given birth to Chauncey's first child, a daughter named Cydney. "You're the third pick and they trade you? But then he comes home and he's still The Man. Everyone is still loving you like before. He's in his comfort zone again.
"It put a strain on our relationship. He'd be chilling out during the day, going to clubs at night, going on guy trips. I might see him a little bit during the day, but just a little bit."
He parties all the way into January, because the NBA owners have staged a lockout. But when the lockout's lifted, there's news: Chauncey has been traded again, this time to Denver. Poplar Street is just 15 minutes from the arena; he should be euphoric. But after his first practice he's asking himself: When is someone going to let me be a point guard? His new coach in Denver, a young Mike D'Antoni, is telling him he's not going to be a point guard or a shooting guard, but a hybrid. He plans to pair Chauncey with Nick Van Exel, another shoot-first would-be point guard, and let them figure it out themselves: who shoots, who passes, who dribbles. Deep down, Chauncey hates it. Remember high school? Chauncey still hates disorganized.
Worse, being in Denver gives his cousins and buddies the chance to keep riding his coattails. "I didn't want him to come back home," Faye says, "because his family's begging him for tickets, begging for money, begging, begging, begging. And then they would try to influence him to go out and party."
His numbers throughout 1998-99 seem respectable: 13.9 points and 3.8 assists. He can get to the basket whenever he wants; the problem is, once he's there, he's often caught up in the air with an unmakeable shot and nobody to pass to. After the season, the Nuggets fire D'Antoni and hire Dan Issel, and before Issel can figure out what to do with him, Chauncey sprains an ankle and then dislocates his shoulder. He's out for the season, and at the trade deadline is dealt to Orlando, his fourth team in three seasons. Chauncey's floored, because he's simply a throw-in for salary cap reasons, a warm body tossed in so the contracts can match up. "I'm like, 'I'm injured. I can't help Orlando. I can't help nobody. I ain't even relevant,'" Chauncey remembers. "The teams said, 'Put his salary in, not him.' That's the trade I took most personal."
He doesn't go on the road or practice with the Magic, and the Orlando front office has no intention of re-signing him. First of all, they -- like everyone else -- still think he's a 2-guard in a point guard's body, but, mostly, they are on mission to clear cap space to sign Tim Duncan. It's always Tim Duncan.
When the season ends, Chauncey sits distraught in his parents' kitchen on Poplar Street. Faye is washing dishes in the house she loves, and she tells him exactly what Grandma Florence used to tell her. Let it go. Move on. Then, the phone rings. It's Kevin Garnett.
Kevin Garnett's basement, 2000 to 2002
KG, his old buddy from the 1995 McDonald's All-American high school game, is recruiting Chauncey, relentlessly. He wants Chauncey to sign in Minnesota, and to entice him, he invites him to his Minneapolis home. On the wall in the cellar is a poster. It reads: The Billups Suite.
After Chauncey signs, KG introduces him around the locker room. "This is my point guard, Terrell Brandon," KG says, "and this is Pops -- Sam Mitchell."
At first, Brandon and Mitchell don't say much. They have seen Chauncey bounce from team to team, have seen his erratic shot selection. They are civil, but have no sense he can fit into their team-first philosophy. But, as the days and practices go by, Chauncey begins tugging on their sleeves, asking questions. At training camp dinners, he makes sure to sit next to Brandon, an All-Star and past winner of the NBA's Sportsmanship Award. "He's always on my right side," Brandon says. "He's moving guys out of the way so he can sit right next to me."
Chauncey even moves into the locker next to Brandon. He asks him how he knows when to shoot and when to share, and Brandon tells him to simply move the ball. He says his job as a point guard is to make teammates blissful, to get KG 20 shots a game and Wally Szczerbiak 15, to have no ego. He teaches Chauncey how to watch film, how to spend the first half reading how the defense is playing the pick-and-roll … and how to adjust in the second half. He tells him that if KG doesn't have double-figure points by mid-second quarter to start feeding him the rock. He tells him if KG still can't score, then you start scoring. He tells him to know everyone's foul situation -- on both teams -- to know who's already been hit with a technical foul, who's ripe to lose his cool.
"And another thing, you and I can't have more than two turnovers a game."
"Two? Just two?" Chauncey says, laughing.
"Actually, two is too many," Brandon says, not laughing.
Meanwhile, Chauncey marvels at how close KG and Mitchell are. Mitchell is a dozen years older, and yet he and KG seem connected at the hip. Chauncey wants some of that wisdom, too, so he starts asking Mitchell about NBA life, about how to lead his own team someday.
Mitchell tells Chauncey that in order to lead he must learn to follow. He tells him he must be coachable, that he can't be a know-it-all. He tells him there can be no partying the night before games, and no fast food in his diet. He tells him that, if nothing else, he must remember this one basketball maxim: If you take care of the person to your right and the person to your left, the person who benefits most is the one in the middle.
Chauncey clamors for more, so Mitchell begins inviting him to join his early morning breakfasts and workouts with KG. Chauncey always arrives first, which surprises Sam, who doesn't know about Ray and the 3:30 a.m. wake-up calls. "You had heard all this stuff," Mitchell says. "You had heard he was a selfish guy, not a good teammate, that all he wanted to do was shoot the ball. But now he's asking me a thousand questions. I was like, 'This is not the guy I heard about.' So I asked him, 'What happened?' He said in Boston no one ever tried to teach him the position. They just said, 'Look, we're going to bring you off the bench and, when you come in the game, shoot every time you get the ball.' So that's what he did."
Ironically, that's exactly what Flip Saunders, his new coach, tells Chauncey to do, too: Shoot it. And Chauncey hates that. But, on Mitchell's advice, he's coachable and follows orders. He becomes a shooting guard and backup point guard, caddying for Brandon and averaging a respectable if unfulfilling 9.3 points and 3.4 assists in his 23 minutes a game.
By training camp the following year, 2001, Mitchell is calling KG his son and Chauncey his nephew. And Chauncey is calling Mitchell "Unc" (short for uncle). At an early morning breakfast one day, KG complains that people still think of him as the "The Kid." Mitchell looks at both of them and says, "Then pull your britches up and put on a tie and jacket. And when people talk to you, look them straight in the eye and give them a direct answer. They treat you like kids because you hold your head down when you talk to people! You act like a kid. Hold your head up, pull your britches up, look people in the eye. Then you'll be a man."
Something clicks. Chauncey tells Piper, whom he has just married, to buy him suits and ties. Then, in February, Brandon suffers a season-ending injury. Finally, Chauncey's a starting NBA point guard. And all he does is take Minnesota to the playoffs. "The light just went on for him," Brandon says. "You could see the elevation. He got taller, bigger, wider. Confidence makes you larger, man. It makes you a superstar."
In the playoffs, against a loaded Dallas team, Chauncey averages 22 points, 5.0 rebounds and 5.7 assists, and although the Wolves are swept, his timing is stellar. He's a free agent now, and learns he has a secret admirer: Detroit GM Joe Dumars. Dumars offers him $4.5 million, the mid-level exception, which the Timberwolves are willing to match. But there's a caveat: G.M. Kevin McHale tells him, "I have to be honest. Terrell's still our starter."
Chauncey thanks McHale for being frank and accepts the Pistons deal, his sixth team in five years. Mitchell almost cries when he hears the news, but Chauncey thanks him and Brandon for making him a point guard. Then, in the Billups Suite, Chauncey and KG share a goodbye embrace.
Both their britches are up.
The NBA Finals, 2004
The lights are down, the crowd's on its feet, Shaq and Kobe are on the opposing bench and the P.A. announcer is revving up his tonsils. And, at guard … Chauncey B-B-B-B-Billups!
His time in Detroit has been an absolute blur. In his first season there, under coach Rick Carlisle, he hits numerous game-tying or game-winning 3-point bombs, earning him the nickname "Mr. Big Shot." But more than that, he is Mr. Calm. No one can rattle him, and his attitude begins to rub off favorably on two young teammates: Rip Hamilton and Tayshaun Prince.
All three have come to town together -- Chauncey via free agency, Hamilton via trade and Prince via the draft -- and Chauncey quickly becomes their counselor. Hamilton is the hyper one who constantly nags the refs, so Chauncey always steps in to say, "Move on." And Tayshaun is the passive one, so Chauncey has to step in to say, "Push on." Under Carlisle in 2002-03, the Pistons win 50 games.
But Detroit is swept by New Jersey in the Eastern Conference finals, and Dumars replaces Carlisle with the maniacal Larry Brown. Mitchell played for Brown at Indiana, so Chauncy calls for a scouting report. "Let me tell you something, nephew," Sam says. "You're going to hate his guts the first 25 games, and then the next 16 you'll start figuring him out. The last 41 … you're going to be the best you've ever been."
Mitchell's prophetic; early in that 2003-04 season, Chauncey tells him, "Unc, I don't know if I'm going to make it. I can't do nothing right." But by March, Chauncey is a finished product. He spends the first half of games analyzing and probing the defense, letting everyone else find their groove, and, in the third quarter, he attacks. Sometimes, he even waits until the fourth, and Sam tells him, "Remember how I told you in order to lead, you had to learn to follow? Well, you learned how to follow in Minnesota, and Larry's taught you how to lead."
In the conference semifinals, the Pistons are down 3-2 to the Nets, facing a Game 6 at the Meadowlands. Before the morning shootaround, Brown bumps into his Carolina buddy George Karl, who's announcing the game for ESPN. Karl has never met Chauncey, but Brown, worried Chauncey might be tuning him out, asks Karl if he'll tell Chauncey to be more assertive. Karl introduces himself to Chauncey, tells him his decisions will decide the game. They shake hands. They say they will see each other down the road.
That night, led by Chauncey, the Pistons win Game 6 by six points and, a couple of days later they take Game 7 by 21. Soon, they are in the NBA Finals -- against Shaq, Kobe and Phil -- with Chauncey staring at Ray and Faye in the fifth row for a championship-clinching game. Chauncey isn't the emotional type, but he's near tears thinking about it. Ray, the best man at Chauncey's wedding, is still working at Safeway, still getting up every morning at 3:30. In fact, Ray has had to switch shifts with co-workers or take vacation time just so he can attend these playoff games.
After the Pistons clinch in five games and Chauncey is named Finals MVP, Ray and Chauncey lock in a long embrace -- a couple of blue-collar guys -- and all those teams that traded Chauncey or let him walk … they have no idea. "When I led a team to the championship is ultimately when I said, 'Ain't nobody who can tell me nothing,'" Chauncey says. "And it wasn't like I was on the bench along for the ride. I was driving. I was driving."
Chauncey invites Ray and Faye to the postgame party, where the champagne is flowing. But Ray does not take a sip. Thirteen years now, and no drinks. No one is more appreciative of Ray than Chauncey, and he wants to do something for him. So, months later, a box arrives in the mail at Poplar Street. Inside the box is a ring, a Pistons championship ring, just for Ray.
He puts it on his finger … and then stops to read the engraved inscription, on the side, near the gold:
Billups: The Right Way.
Hiawatha Davis Jr. Rec Center, Denver, July 1, 2004
It is weeks after the Pistons' title, and the celebration has shifted West to the Rocky Mountains. Denver Mayor John Hickenlooper has decided to give Chauncey the key to the city and name him honorary mayor of Park Hill for a day. About 600 people gather at the old Skyland Rec Center, now renamed Hiawatha Davis, to shout, "Smooooooooth."
"This is the most significant sports event in Denver since the Broncos won the Super Bowl," former Denver Mayor Wellington Webb tells the crowd. "He put the city on the map in terms of great basketball."
The following season, 2004-05, the Pistons return to the Finals, where there's that man again, Tim Duncan. Chauncey's playoff numbers actually improve (to 18.7 points, 6.5 assists), but the Pistons still lose in seven games. Dumars fires Larry Brown and brings in Chauncey's old coach from Minnesota, Flip Saunders. Chauncey can run Saunders' offense with his eyes closed, but Saunders can only take Detroit as far as the East finals, three consecutive years, including a loss to the Celtics last spring.
That Boston series is a painful one. Chauncey plays through a hamstring injury, and Boston's Rajon Rondo makes him look decrepit. Chauncey hears the whispers -- He's 32, he's peaked, he's done -- and is castigated for the first time in Detroit. "Here I am out there trying to tough it out," Chauncey says. "But all I'm hearing is, 'Damn, Chauncey's getting old.'"
After the season, Dumars implies heads might roll. First, he fires Saunders and, at a news conference, he claims the Pistons have "no sacred cows … everybody is in play." He already has let Ben Wallace walk in 2006, and now the question is, Who's next? As the summer of 2008 begins, all signs point to Chauncey.
That offseason, back in Denver, Chauncey bumps into Karl, and the two exchange war stories. Karl asks why the Pistons change coaches so much, why they "blew up" Brown and Saunders. He asks Chauncey if Dumars is serious about making trades.
Chauncey isn't sure, but a soothing word pops into Karl's mind as he speaks with Chauncey:
Karma.
The Pistons' team charter en route to Charlotte, Nov. 2, 2008
Unaware his world is about to go spinning, Chauncey is flying to North Carolina for an early season game against the Bobcats.
The night before, Piper had predicted he'd be gone by the trade deadline, but Chauncey told his wife, "Why would you say that? We're going to win a championship this year."
But Piper's right; the Pistons want Chauncey out ASAP. First of all, they love Rodney Stuckey and think he can be Chauncey's heir apparent, and they also think their current roster has maxed out. More than that, they're trying to clear cap space so they can make a run at LeBron James, Chris Bosh or Dwyane Wade in the summer of 2010. Rasheed Wallace's contract will be expiring after the season, and if they can deal Chauncey for another expiring contract -- say, Allen Iverson's -- then they'll have cap room galore.
Dumars, before he agrees to settle for Iverson, reportedly asks for Carmelo Anthony. If not for the Olympics, maybe Denver would've considered it -- or at least discussed it -- but Anthony has shown in Beijing that he's more serious about the game. He has played stout defense for Team USA, and, during the ensuing Nuggets training camp, he promises George Karl he'll do it again for him. So Anthony is going nowhere. It has to be a Billups-for-Iverson swap.
The talks are finalized before the team flies to Charlotte, and, on the flight, Chauncey can tell he's being ignored. "He notices Joe and none of the coaches can even look at him," Ray says. "And that's when he knows something is wrong."
When the flight lands, he chats with Antonio McDyess, who tells him about the impending trade. It isn't official yet, but the Pistons have filled McDyess in, because they need to trade his salary to balance the deal. They tell him that Denver will waive him, and they'll want to re-sign him. But they tell Chauncey nothing.
Though he has been traded three times before, it still stings. At the team hotel, on Nov. 2, Dumars and the coaches are staying right down the hall from him, but no one invites him down for a goodbye chat. Then, on the morning of Nov. 3, before the shootaround, it becomes official: Chauncey to Denver.
He's going home again, but he calls Piper and tells her it feels bittersweet. "I've been through some dark alleys with them dudes, man,'' he tells her. "They're my brothers."
He begins packing at the team hotel, when there's a knock on the door. It's Hamilton and Prince, the trio together one last time. They embrace, cry, laugh and reminisce. They call Ben Wallace, a Cavalier now, and put him on speaker phone. Hamilton is the most affected of all. He has just signed an extension, and he tells Chauncey he wants to be traded now, that if he'd known they were going to trade Chauncey, he never would've re-upped in Detroit.
They keep talking about games, moments, shots. Hamilton has always told Chauncey he wants his toddler son to someday marry Chauncey's toddler daughter, and he brings it up again. It goes on this way for three incredible hours that Chauncey says, "I'll never forget. We were, 'Wow, wow,' in disbelief. Just coming to the realization it was over.'"
Eventually, Chauncey tells them he has a flight to catch, and he walks out the door. The three of them enter the elevator, and Chauncey pauses to give Hamilton a last hug.
Hamilton breaks down, sobbing. Absolutely sobbing.
George Karl's basement, Denver, Nov. 3, 2008
The trade is one minute old when Karl, the verbose coach of the Nuggets, begins to meditate. For five to 10 minutes in his cellar, he takes deep, patient breaths. He feels a certain lightness come over his body, a sense of peace. He thinks this is perhaps a sign.
Iverson has been popular but counterproductive in Denver. Key members of the organization say that Iverson has partied some nights until 3 in the morning, and that Denver's two most crucial players -- Anthony and J.R. Smith -- have tried to keep up with him. They say Anthony and Smith look at Iverson with reverence, the same way Chauncey's generation looked at Michael Jordan. So when A.I. says, "Let's go out,'" they go out. When A.I. wears a sleeve on his arm, they wear a sleeve. Especially the impressionable Smith, who has never met a shot he didn't like.
The Nuggets have managed to win 50 games in 2007-08 living this way, but it's clear they have hit their ceiling. A.I., Anthony and Marcus Camby are all "ball stoppers," meaning they rarely pass. A lot of times, the Denver offense has consisted of Iverson dribbling right, Iverson dribbling left and Iverson taking a fadeaway. The sorry offense has led to sorrier defense, but Karl's pleas for ball movement have fallen on deaf ears.
In training camp this season, the players -- led by Anthony and Kenyon Martin -- try to buy in. They promise Karl they'll be professional and play defense … even Iverson. "But you never know," Karl says. "If you lose seven of eight games, they may stop listening and start partying again."
The early practices go well, although Nuggets officials sense that Iverson's legs aren't fresh and that his late nights might be catching up to him. They're dying to make the Chauncey trade -- after moving Camby over the summer -- and when the deal goes down, Karl can't get Chauncey to town fast enough.
"I just don't think I would've survived," Karl says. "I would've quit or they would've fired me. Management gets tired of the coach complaining about the same thing. There was a posse of people in Denver that were tired of George Karl."
When he arrives, Chauncey isn't sure what to make of the Nuggets. On paper, he adores their talent. He has worked out with the unpredictable Smith in the past, and has told people Smith can be an All-Star. But his worry is tempo, decision-making. He hates disorganized. "The way they played before I got here was erratic," Chauncey says. "I call it dysfunctional. No discipline. I need some stability. I can't play like that. This game means too much to me."
Karl calls a meeting to introduce Chauncey, who tells his new teammates, "Look, I'm here to win. I ain't here to do a lot of talking. I'll walk the walk, and hopefully y'all be the same way, and we'll be on the same page."
Next, they go over all of the team's plays. Chauncey nods, but, inside, he has a sick feeling. For instance, the Nuggets don't have an underneath-the-basket out-of-bounds play. This isn't high school.
The Pepsi Center, Denver, Nov. 7, 2008
Chauncey's driving to the arena -- from Poplar Street -- for his Nuggets debut against the Mavs, and as he approaches the arena, he sees "Welcome Home" signs and his picture on a billboard. He's got something special for his hometown fans tonight: When he peels off his warm-up suit after introductions, they see his number: No. 7. For John Elway. He wants to be their John Elway.
Chauncey is Denver, through and through, and he senses playing at home is going to work this time. Most of the friends and family who begged for tickets 10 years before are older, married and self-sufficient. The knuckleheads are no longer in his life. He can just play ball. Ray and Faye, married 35 years, are seated in the fifth row. Ray keeps checking his watch. He still needs to get up at 3:30 for work the next morning. Here's Chauncey in his 12th year in the NBA, and here's Ray is in his 32nd year in a Safeway warehouse. Ray plans to retire at the end of the season, but not now.
After halftime, Chauncey nods to his parents … and starts to attack. He hits an 18-footer and a 3-pointer to start the third period. Always the third quarter, just like in Detroit. He wants this game badly, to prove to the Pistons, to everybody.
With 2:54 left in the fourth quarter, the Nuggets are clinging to a 99-98 lead, when the ball goes out of bounds to the Nuggets underneath their own basket. Chauncey's fear is realized. The team has no out-of-bounds play. Karl just wants them to improvise, to use their basketball instincts, but Chauncey can't live that way. So he calls time.
In the huddle, they're all stumped. Smith tells Anthony: "He just got here, and he's calling timeouts?" But Chauncey waves them close and starts in: "Look, George, I need you to draw me up an out-of-bounds play, man, to get the ball in. Because if we don't and we turn the ball over and lose this game because we didn't have something, that just won't sit well with me."
Karl and the team's response is: wow!
The Pepsi Center, April 19, 2009
After a 54-win season, the Nuggets are the No. 2 seed in the Western Conference. It has been a memorable year. Before an early-season game in Boston, Chauncey challenges his teammates' manhood, and the Nuggets end up beating the champion Celtics at their own game. On nights Keynon Martin and Anthony are on the brink of technical fouls, Chauncey steps in and argues for them, getting the techs himself. He polices the locker room, calms down the players who brood over Karl. The Nuggets don't know his story. One day, Martin approaches him and says, "All them times you got traded, I just thought you must've been like the biggest a------. You'd play good, but get traded. I thought something was wrong with you."
The truth is, there's something right with Chauncey. He's like a psychologist to the NBA stars. On a night he's watching "Desperate Housewives" with Faye on Poplar Street, Hamilton calls from Detroit to complain about being benched. Hamilton goes on so long, Chauncey misses the whole hourlong episode. The Pistons are absolutely lost without him. Before he left, Chauncey had been Pistons head coach Michael Curry's truest ally, and even had hired Curry's sister-in-law to be his nanny. But, without Chauncey, Curry has no sergeants, no one to talk Rasheed Wallace off the ledge or lower Hamilton's blood pressure.
But the Nuggets are grateful to have him, and team camaraderie skies through the roof. When the players notice Chauncey always finger-rolls his layups -- to preserve energy -- Martin promises to give him $500 if he ever dunks. Then, in Minnesota, Chauncey slams one, and the bench is in stitches. "Did we know he'd be this good for us? No," Karl says. "He's a gift from the basketball gods."
It has been a stunning transformation. And as the Nuggets enter the building, one by one, for their playoff opener against New Orleans, their two most talented, enigmatic players -- Anthony and Smith -- are dressed to kill. Anthony is wearing a grey pinstripe suit, and Smith is wearing black dress pants. Chauncey has made them pull up their britches.
"'Melo and J.R. have dressed up more this year than they ever have," team executive Rex Chapman says. "Not that that wins games for you, but Chauncey's taught them it's OK not to be on cool duty all the time."
Smith, in particular, tells people no one has ever influenced him more than Chauncey. On the court, Chauncey wants him talking on defense, and off the court, Chauncey wants him out of clubs. And Smith is all ears. After a game one night, Smith asks Chauncey why he only shot six times, and Chauncey tells him, "I read the game. I don't play for stats. I don't play for none of that no more. I play for the win." Smith's reaction: "Damn. Makes sense."
Anthony's basketball IQ is up, too. His only major negative incident comes March 1 in Indiana, when he refuses to come out of a game. That night, Anthony had been struggling with his shot, and when he finally hit a couple in a row, he didn't want to sit. The front office suspends him one game, but in his first game back he sprints off the floor whenever Karl takes him out. Apparently, Chauncey's idea.
"This season, my stress level has gone so far down," Anthony says. "It's gone from an eight to a zero. That load's been taken off my shoulders. It's what I've been looking for. You don't have to go out there and try to do it yourself."
On the night of the playoff opener, though, Anthony is nervous. In fact, all the Nuggets seem tight. On the opening offensive play, Nene goes the wrong way, and the team bricks its first three shots. Karl calls a timeout, but only one person is talking and wagging a finger: Chauncey.
"How can you f--- up the first play of the playoffs, Nene! You can't f--- up the first play! Get your heads in this!"
It's clear the Nuggets are deer in headlights. The franchise hasn't won a first-round series in 15 years; Anthony has never been to the second round. So why should Chauncey wait until the third quarter? He starts shooting immediately. He makes eight of nine 3-pointers overall, scores 36 points and has zero turnovers in a Nuggets blowout. Chauncey's sent an early playoff message: Relax, I've got your back.
In Game 2, he racks up 31 points and zero turnovers in another blowout. But he doesn't just play a good game, he talks one. During every timeout, he drops pearls of wisdom. Sam Mitchell and Terrell Brandon, each watching at home, swear they can hear Chauncey through the TV set. And they're pretty sure that after a series of hard fouls in Game 3, Chauncey is telling the guys, "Move on." Move on.
Meanwhile, back East, the Pistons -- who finish their season under .500 -- are being swept by the Cavaliers. Iverson has spent the year griping about playing time and is out with a back injury. "I guess they found out what I meant to the team," Chauncey says.
If Chauncey wasn't an MVP candidate before, he is now. In six months, he has saved the Nuggets and destroyed the Pistons, all in one fell swoop. Charles Barkley and Kenny Smith call him "The Bodyguard." Tim Duncan -- that Tim Duncan -- says he has put a head on Denver's athletes. He's getting celebrated. He wins -- get this -- the NBA's Joe Dumars Trophy for sportsmanship. Mark Warkentien, his GM, is named executive of the year for acquiring him. It's Christmas in May. In 12 seasons, four teams have traded him, two teams have let him walk and he still has the only job he ever wanted: point guard on a team deep in the playoffs.
When Sam Mitchell gives clinics nowadays, he tells kids, "Let me tell you the story of my nephew, Chauncey Billups." And when Chauncey Billups gives clinics, he tells kids, "Let me tell you the story of my uncle, Sam Mitchell." This is not the cycle of life; this the cycle of the NBA. Help the player on your right (Carmelo Anthony), help the player on your left (J.R. Smith), and the one who benefits the most is the one in the middle.
Smooth.
5.09.2009
PATTY MILLS
Since declaring for the NBA draft last month, Saint Mary's College point guard Patrick Mills has put sleep on the back burner, hitting the gym at 6:30 a.m. to sharpen his shooting skills and improve his conditioning. It's a solitary mission but one that might bring him closer to his lifelong goal of playing at the next level.
Mills said, "The process is only going to get harder, but to know what the goal is in front of you is rewarding. Every day is getting tougher because you know you have to be better than you are the previous day. At the moment, I'm on my own."
Mills, a sophomore, said he's learning "on the fly." Everything about the process is new.
He's set to attend the NBA Pre-Draft Combine, which begins May 27 in Chicago. It's his first chance to gauge teams' interest and begin plotting his next move.
A member of the 2008 Australian Olympic team, Mills has every reason to want to take his time. After all, only players selected in the first round receive guaranteed contracts, and the point guard pool in this year's draft is extremely deep. North Carolina's Ty Lawson, teenager Brandon Jennings and Spanish sensation Ricky Rubio are among those challenging Mills for a spot in the first round.
Still, several online mock drafts peg Mills as a legitimate first-round option. NBAdraft.net has Mills going to New Orleans as the No. 21 overall pick. ESPN.com lists him as the No. 23 selection. Mills, though, takes little solace in that.
"I try to stay away from that," Mills said. "They're only projections; they don't mean anything. At this point, I'm a bit of an underdog. I'm going into it with that mentality, but I have a lot to gain."
Mills said, "The process is only going to get harder, but to know what the goal is in front of you is rewarding. Every day is getting tougher because you know you have to be better than you are the previous day. At the moment, I'm on my own."
Mills, a sophomore, said he's learning "on the fly." Everything about the process is new.
He's set to attend the NBA Pre-Draft Combine, which begins May 27 in Chicago. It's his first chance to gauge teams' interest and begin plotting his next move.
A member of the 2008 Australian Olympic team, Mills has every reason to want to take his time. After all, only players selected in the first round receive guaranteed contracts, and the point guard pool in this year's draft is extremely deep. North Carolina's Ty Lawson, teenager Brandon Jennings and Spanish sensation Ricky Rubio are among those challenging Mills for a spot in the first round.
Still, several online mock drafts peg Mills as a legitimate first-round option. NBAdraft.net has Mills going to New Orleans as the No. 21 overall pick. ESPN.com lists him as the No. 23 selection. Mills, though, takes little solace in that.
"I try to stay away from that," Mills said. "They're only projections; they don't mean anything. At this point, I'm a bit of an underdog. I'm going into it with that mentality, but I have a lot to gain."
5.07.2009
TWO WARRIORS - ARTEST & KOBE
Ron Artest wanted to make a point. It's not exactly clear what that point was, probably something about him being mad as hell and not going to take it anymore.
Artest had decided that Kobe Bryant had gone way too far over the line too often. It was one thing for Bryant to cheap shot Shane Battier in Game 1 but this was too much for Artest to accept.
So after Artest took a Bryant elbow to the chest, he took off in a sprint at Bryant.
The crowd rose.
"I went over there with the intention of telling Kobe, 'You're hitting the wrong person. Don't you know you're hitting Ron Artest?" Artest said.
"I understand it's the playoffs. I'm accustomed to playing basketball really rough. When I came into the league, I was used to fighting on the court. That's how I grew up playing basketball.”
"Now, I play fair and square and I lose fair and square. I put my arm on Kobe. I push and play physical. I see man and ball. Just basic defense. He hits my arm down. I'm telling the ref, he hits my arm. You can't do that.' Then he did it again. I tell the refs, 'You got to control this.' Then he throws an elbow right in my chest. I told Kobe, you can do whatever you want to do. I'm not reacting. I'm going to let the refs control it.'
"Kobe is great enough to take over games and lead his team. He could have done it without that. For me, the game was great. It was fun. You have to have guts to hit a guy like me in the throat.”
"I knew I was going to get a technical foul. The point was to let the refs know I'm angry, I'm tired of this guy elbowing me. I went over there, no punches, no shoves to the face. Just confrontation. Then I backed off.”
Kobe knew who he was hitting and he didn't seem to mind. He wasn't going to let the bully come in his house and win another game.
Bryant plays with an attitude of entitlement. He plays as if he is above the game. It is part of his greatness, in some ways. He raises the bar on his own expectations beyond any that anyone could place on him.
He and Artest both described their confrontation and the physical game as "fun."
So just like that, we have a pretty intense series going. Usually games like this happen after four or five games, when the teams are really sick of each other. If this is how they feel after two games imagine how they will be by Game 5.
"It did set a tone for what will happen in the series," Phil Jackson said. "If they're going to be physical, we have to meet that."
Mark Madsen had this to say about Artest, "I've never played on the same team as Ron Artest, but I've played against him dating all the way back to college. Of all the guys I've played with or against, he was always one guy who stood out as an aggressive defender who guys around the league don't want to mess with. Ron Artest is a guy who you absolutely want to go to battle with. Everybody also knows not to cross the line with him."
Artest had decided that Kobe Bryant had gone way too far over the line too often. It was one thing for Bryant to cheap shot Shane Battier in Game 1 but this was too much for Artest to accept.
So after Artest took a Bryant elbow to the chest, he took off in a sprint at Bryant.
The crowd rose.
"I went over there with the intention of telling Kobe, 'You're hitting the wrong person. Don't you know you're hitting Ron Artest?" Artest said.
"I understand it's the playoffs. I'm accustomed to playing basketball really rough. When I came into the league, I was used to fighting on the court. That's how I grew up playing basketball.”
"Now, I play fair and square and I lose fair and square. I put my arm on Kobe. I push and play physical. I see man and ball. Just basic defense. He hits my arm down. I'm telling the ref, he hits my arm. You can't do that.' Then he did it again. I tell the refs, 'You got to control this.' Then he throws an elbow right in my chest. I told Kobe, you can do whatever you want to do. I'm not reacting. I'm going to let the refs control it.'
"Kobe is great enough to take over games and lead his team. He could have done it without that. For me, the game was great. It was fun. You have to have guts to hit a guy like me in the throat.”
"I knew I was going to get a technical foul. The point was to let the refs know I'm angry, I'm tired of this guy elbowing me. I went over there, no punches, no shoves to the face. Just confrontation. Then I backed off.”
Kobe knew who he was hitting and he didn't seem to mind. He wasn't going to let the bully come in his house and win another game.
Bryant plays with an attitude of entitlement. He plays as if he is above the game. It is part of his greatness, in some ways. He raises the bar on his own expectations beyond any that anyone could place on him.
He and Artest both described their confrontation and the physical game as "fun."
So just like that, we have a pretty intense series going. Usually games like this happen after four or five games, when the teams are really sick of each other. If this is how they feel after two games imagine how they will be by Game 5.
"It did set a tone for what will happen in the series," Phil Jackson said. "If they're going to be physical, we have to meet that."
Mark Madsen had this to say about Artest, "I've never played on the same team as Ron Artest, but I've played against him dating all the way back to college. Of all the guys I've played with or against, he was always one guy who stood out as an aggressive defender who guys around the league don't want to mess with. Ron Artest is a guy who you absolutely want to go to battle with. Everybody also knows not to cross the line with him."
THE DISEASE OF ME
When he was with the Los Angeles Lakers, Pat Riley, president of the Miami Heat, developed a list of symptoms that he called the “Disease of Me.”
SIX DANGER SIGNALS OF THE DISEASE OF ME:
1. CHRONIC FEELINGS OF UNDER-APPRECIATION – FOCUS ON ONESELF.
2. PARANOIA OVER BEING CHEATED OUT OF ONE’S RIGHTFUL SHARE.
3. LEADERSHIP VACUUM RESULTING FROM FORMATION OF CLIQUES AND RIVALRIES.
4. FEELINGS OF FRUSTRATION EVEN WHEN THE TEAM PERFORMS SUCCESSFULLY.
5. PERSONAL EFFORT MUSTERED SOLELY TO OUTSHINE ONE’S TEAMMATE.
6. RESENTMENT OF THE COMPETENCE OF ANOTHER – REFUSE TO ADMIT HIS CONTRIBUTION.
SIX DANGER SIGNALS OF THE DISEASE OF ME:
1. CHRONIC FEELINGS OF UNDER-APPRECIATION – FOCUS ON ONESELF.
2. PARANOIA OVER BEING CHEATED OUT OF ONE’S RIGHTFUL SHARE.
3. LEADERSHIP VACUUM RESULTING FROM FORMATION OF CLIQUES AND RIVALRIES.
4. FEELINGS OF FRUSTRATION EVEN WHEN THE TEAM PERFORMS SUCCESSFULLY.
5. PERSONAL EFFORT MUSTERED SOLELY TO OUTSHINE ONE’S TEAMMATE.
6. RESENTMENT OF THE COMPETENCE OF ANOTHER – REFUSE TO ADMIT HIS CONTRIBUTION.
BOBBY SCALES - IT TOOK 10 YEARS
A champagne bottle was in Bobby Scales' locker Tuesday to help him toast his first callup to the Major Leagues after 10 years in the Minors.
The gift was from Brian Sweeney, a pitcher who was Scales' teammate in 2004 at Triple-A Portland. Sweeney began playing professional baseball in 1996 and didn't get called up to the big leagues until 2003 with Seattle.
Scales hasn't spoken to the pitcher in two or three years, but Sweeney didn't forget his friend. The bottle of champagne was a reminder of their perseverance.
The note attached said: "All the hard work paid off."
Scales, called up to the big leagues for the first time Monday, made his first Major League start Tuesday for the Cubs, got his first Major League hit, scored his first Major League run and whiffed for his first Major League strikeout.
Scales will still treasure the game ball and lineup card from his first game, well deserved after more than 1,000 Minor League at-bats.
"Nobody can ever take it from you," said Scales. "I got it, I earned it. I'm just fortunate to have it."
He struck out on four pitches in his first at-bat in the second inning, but he delivered a single to left with two outs in the fifth. As he got to first base, he could exhale.
"He threw me a fastball and I was able to get on top of it," Scales said. "There's no rocket science behind it. It found some grass.
Teammate Micah Hoffpauir said. "He's put in the time and has paid the price. He deserves everything he's got."
"The thing I had to work the most on, I had to work on my defense if I wanted to make it to the majors," Scales said.
He credited two coaches -- Tony Franklin and Bobby Dickerson with polishing his field work.
"Early on, Tony had a lot of work to do and he did the heavy lifting," Scales said. "It was one of those things where you think you're good and you're not."
The Padres apparently wanted to move Scales to the outfield, but Franklin lobbied to keep Scales in the infield.
"His belief in me, I can't tell you what it means," Scales said. "I don't have words for it."
Scales' time in the big leagues may be limited. Scales knows his role.
"I just have to do what Skip asks me to do," Scales said. "He called for me, so however he sees fit to use me, that's what I have to do."
He's come a long way. In the offseason, Scales is a teacher in the Alpharetta, Ga., area, and this past winter, he handled a physical education class and four health classes. Playing in front of 39,497 at Wrigley Field is a lot different than being in front of high schoolers.
"I knew for a fact I could play here and I could contribute to a big league team," Scales said. "That never wavered. Whether guys get opportunities, that's not up to me. There are guys at home, good players I know, who had better numbers than me and never had a chance. You wonder if that day will come but there was never a doubt I could play."
Piniella keeps calling Scales a "kid." In baseball terms, 31 is not considered young.
The gift was from Brian Sweeney, a pitcher who was Scales' teammate in 2004 at Triple-A Portland. Sweeney began playing professional baseball in 1996 and didn't get called up to the big leagues until 2003 with Seattle.
Scales hasn't spoken to the pitcher in two or three years, but Sweeney didn't forget his friend. The bottle of champagne was a reminder of their perseverance.
The note attached said: "All the hard work paid off."
Scales, called up to the big leagues for the first time Monday, made his first Major League start Tuesday for the Cubs, got his first Major League hit, scored his first Major League run and whiffed for his first Major League strikeout.
Scales will still treasure the game ball and lineup card from his first game, well deserved after more than 1,000 Minor League at-bats.
"Nobody can ever take it from you," said Scales. "I got it, I earned it. I'm just fortunate to have it."
He struck out on four pitches in his first at-bat in the second inning, but he delivered a single to left with two outs in the fifth. As he got to first base, he could exhale.
"He threw me a fastball and I was able to get on top of it," Scales said. "There's no rocket science behind it. It found some grass.
Teammate Micah Hoffpauir said. "He's put in the time and has paid the price. He deserves everything he's got."
"The thing I had to work the most on, I had to work on my defense if I wanted to make it to the majors," Scales said.
He credited two coaches -- Tony Franklin and Bobby Dickerson with polishing his field work.
"Early on, Tony had a lot of work to do and he did the heavy lifting," Scales said. "It was one of those things where you think you're good and you're not."
The Padres apparently wanted to move Scales to the outfield, but Franklin lobbied to keep Scales in the infield.
"His belief in me, I can't tell you what it means," Scales said. "I don't have words for it."
Scales' time in the big leagues may be limited. Scales knows his role.
"I just have to do what Skip asks me to do," Scales said. "He called for me, so however he sees fit to use me, that's what I have to do."
He's come a long way. In the offseason, Scales is a teacher in the Alpharetta, Ga., area, and this past winter, he handled a physical education class and four health classes. Playing in front of 39,497 at Wrigley Field is a lot different than being in front of high schoolers.
"I knew for a fact I could play here and I could contribute to a big league team," Scales said. "That never wavered. Whether guys get opportunities, that's not up to me. There are guys at home, good players I know, who had better numbers than me and never had a chance. You wonder if that day will come but there was never a doubt I could play."
Piniella keeps calling Scales a "kid." In baseball terms, 31 is not considered young.
5.05.2009
QUOTES
"I WOULD WALK THROUGH HELL IN A GASOLINE SUIT TO PLAY BASEBALL." Pete Rose
George Karl on Chauncey Billups: "You don't understand how good he is running the team. He's the head coach a lot."
Coach Woodson on Mike Bibby: “Without him we’re lost. He’s our quarterback."
George Karl on Chauncey Billups: "You don't understand how good he is running the team. He's the head coach a lot."
Coach Woodson on Mike Bibby: “Without him we’re lost. He’s our quarterback."
DERRICK ROSE
Derrick Rose the No. 1 overall pick easily won Rookie of the Year honors, averaged 17 points on 48 percent shooting and 6 assists and seamlessly handled the transition from college to the NBA.
Of course, that's not the way Rose sees it.
"I need to work on my jump shot, my defense and becoming a leader," Rose said. "I've got to lead the team better. I've got to control the game a little more as a point guard."
It's well documented by now that Rose's humility and self-critical eye are as prodigious as his talent, and he clearly is the Bulls' centerpiece moving forward.
Nevertheless, Rose himself raises an intriguing dynamic on the leadership front. Fairly shy by nature, it was apparent throughout the season that Rose occasionally struggled walking the fine line between dominating and deferring.
His unique gifts of strength and speed allowed him to take over games at times. Yet as a rookie, particularly a soft-spoken one, he also would disappear for stretches, trying to get his teammates involved.
Rose attempted one fourth-quarter shot in Game 7 of the Celtics' series.
"I'm still a point guard," Rose said. "I can't come down and shoot seven shots in a row. I still have to look for people and get them open."
Beyond mastering the fine line between being a scorer and facilitator, coach Vinny Del Negro mentioned shooting, understanding and recognizing defensive coverages, understanding time and score as areas in which he'd most like to see Rose improve.
Kirk Hinrich doesn't possess Rose's talent, but he does own a unique perspective of playing major minutes as a starting point guard as a rookie. Hinrich did so for a non-playoff team, but he still contemplated long and hard when asked how much better Rose can master the leadership dynamic in his second season.
"It's a tough question because Derrick's so darn good this year," Hinrich said. "As time goes on leadership will come more naturally for him. Obviously, he's going to be the leader of this team. Everyone is excited about his future. “
"I think leading will be much easier because I learned so much this season. I put myself in a good position. I came in, played my role as a rookie, listened to my veterans and led by my work ethic,” Rose said.
"There's always room for improvement. I plan to work so hard, you'll be able to tell I got better."
Of course, that's not the way Rose sees it.
"I need to work on my jump shot, my defense and becoming a leader," Rose said. "I've got to lead the team better. I've got to control the game a little more as a point guard."
It's well documented by now that Rose's humility and self-critical eye are as prodigious as his talent, and he clearly is the Bulls' centerpiece moving forward.
Nevertheless, Rose himself raises an intriguing dynamic on the leadership front. Fairly shy by nature, it was apparent throughout the season that Rose occasionally struggled walking the fine line between dominating and deferring.
His unique gifts of strength and speed allowed him to take over games at times. Yet as a rookie, particularly a soft-spoken one, he also would disappear for stretches, trying to get his teammates involved.
Rose attempted one fourth-quarter shot in Game 7 of the Celtics' series.
"I'm still a point guard," Rose said. "I can't come down and shoot seven shots in a row. I still have to look for people and get them open."
Beyond mastering the fine line between being a scorer and facilitator, coach Vinny Del Negro mentioned shooting, understanding and recognizing defensive coverages, understanding time and score as areas in which he'd most like to see Rose improve.
Kirk Hinrich doesn't possess Rose's talent, but he does own a unique perspective of playing major minutes as a starting point guard as a rookie. Hinrich did so for a non-playoff team, but he still contemplated long and hard when asked how much better Rose can master the leadership dynamic in his second season.
"It's a tough question because Derrick's so darn good this year," Hinrich said. "As time goes on leadership will come more naturally for him. Obviously, he's going to be the leader of this team. Everyone is excited about his future. “
"I think leading will be much easier because I learned so much this season. I put myself in a good position. I came in, played my role as a rookie, listened to my veterans and led by my work ethic,” Rose said.
"There's always room for improvement. I plan to work so hard, you'll be able to tell I got better."
5.02.2009
PETE CARRIL
-- Whatever you emphasize and to the degree that you do, you get better at it.
-- As a player, you want to be good at those things that happen a lot -- that cannot be overstated. What happens a lot? You dribble, you pass, and you shoot -- you want to be good at those skills.
-- I tell my guys that if they work hard every day, then they don't have to worry about game plans, or where they play, or whom they play, or about rankings and so on. The quality of their work habits can overcome anything: praise, criticism, good or bad coaching. They have their daily behavior to fall back on.
-- I can check the level of your honesty and commitment by the quality of your effort on the court. You cannot separate sports from your life, no matter how hard you try. Your personality shows up on the court: greed, indifference, whatever, it all shows up. You cannot hide it.
-- If a guy cannot pass, the ball stops moving. If he cannot shoot, he will always be open. If he cannot dribble, he cuts his value to the team by one third. Furthermore, if he cannot dribble, the defense will attack him. If you want to become a better dribbler, dribble. Dribble on a court, with a man guarding you. It's one of those skills we are not paying enough attention to.
-- If you want to learn how to shoot a specific shot in basketball, get the mechanics straight, then go out and practice hard. Once you have the right basics, you can teach yourself how to shoot.
-- When a player is told what he has to do to become a better player, does he get mad at the coach, or at himself? If he gets made at the coach, he'll never get better as a player. If he gets mad at himself, he will get better.
-- There's a difference between the guys who play to win and those who play not to lose. A big difference. When you play to win, you do all of the extra things that maybe aren't visible, but the results is that you come out on top. Playing to win [means] subordinating [your] needs to those of the team. Remember, some guys walk out of a losing game having scored 25 points and are perfectly content. If you have guys like that on your team, you're not going to win too many games. You cannot ever forget the human equation in sports.
-- The essence of character is what I call mental and physical courage. Everybody has the potential for courage, but some people -- because they have had to demonstrate it all their lives -- are good at it, whereas others are not until the need suddenly arises and they have to learn to react. Basketball brings out the need for courage.
-- Everybody makes such a big deal today about team play because there's such a scarcity of it. Greed is a reason. You have to understand the influence of greed. A player has to be selfish in the pursuit of the development of his skills, but he cannot be selfish when it comes time to blend them in with what's good for his team.
-- Defense is the heart of our game. Good defense is recognizable even when you're losing. The object of my defensive strategy is to contest every pass and shot, to force the opponent to move the ball under continuous pressure. I want the other team to play offense longer than they're used to. Defense is not a variable. It's a constant. Defense has to be deeply embedded in your attitude. It's something you can do well every time -- both the individual and the team. Skill is a variable. Work is not a variable. It's an attitude. Defense is head, heart, and legs.
-- Nothing is more intimidating than deflecting passes. It makes a passer very tentative. I say that if you don't use your hands, you're committing a bigger sin and aren't as effective defensively.
-- The truth is, you can take whatever defensive philosophy you want and reverse it and a forceful coach will make it work. It's mostly attitude and effort that make a defense successful. But one thing -- putting pressure on the ball -- has more of an impact than any philosophical discussion of how to guard a man. If each player, when he guards his man, can press him, put pressure on him, you'll disturb passes and intimidate your opponents.
-- Good players are always moving their legs.
-- Players who do not compete hard against each other because they're afraid it will affect their friendship have trouble getting better.
-- I don't like to see a guy get patted on the back for doing simple things, for doing the things he should do. You have to be able to tell a player or coach when he does a bad job that it is a bad job. You show respect by praising them when they do the things that deserve praise. They must learn the difference between what is done right and what is done wrong, and if you try to make them similar with easy praise, you'll never succeed in teaching them the difference.
-- When you demand a lot, my experience has been that you get more. If you insist on less, you get that, too. Self-esteem comes from accomplishment, not the other way around. The more you demand, the more they give, the stronger the sense of satisfaction.
-- Every little thing you do on offense counts. That means every pass, every cut, every screen, every dribble is part of the end result and therefore require care and concern. We try to make it simple and we work hard to make things easy.
-- Cut with credibility. What I like my guys to do on offense to start a game is pass and cut through the defense. The minute you do, you start to move the defense, a main goal. It also helps to identify the defense, whether it's a zone, a combo, or a man-to-man. It is essential that when a cutter cuts through, he look for the ball. There will be no credibility to the cut unless the player executes it with authenticity, i.e., believes he might receive the ball.
-- Size is not the most important thing about rebounding. Knowing how to use your body, seeing where the ball is going, that's what counts. It is not the guy who jumps the highest. The guy who jumps the highest is all alone. Jumping in a crowd is another story. Just watch guys like Larry Bird. A good rebounder plays for position, but is always attentive to the ball. You cannot lose sight of the ball. You've got to have some idea where the ball is going and how to prevent your man from getting it.
-- Pivoting is one of the most underrated techniques and skills, and when you go to teach it, someone always asks, "Why bother?" We have to teach the player to disregard the feeling that it's not essential, that it's not necessary in today's game. One reason some players disregard its importance is that they do it so easily.
-- Fakes are like lies. The first thing I tell anyone about faking is that if you're going to fake, your move has to look like the real thing. When you go to tell a lie, it has to be close enough to the truth to be believable. Same thing. So often, guys fake so strenuously that they telegraph the fake: Their fake looks like a fake. Young kids have to be actors and develop cunning. They shouldn't work only on one fake; you always want to have more than one weapon. Also, if you're wide open, don't fake -- shoot!
-- Conditioning: I tell my players if you play hard every time you play, you'll be in good enough shape. Once practice starts, we work hard and that's the best conditioning there is. Everything counts. Run hard, play hard, go after the ball hard, guard hard. Everything we do is game-condition because how you play in practice is how you'll play in a game.
-- How do you know if your team has camaraderie? I can tell by the way they walk off the floor at the end of practice. You can feel their happiness vibrating; you can see how they work out together; you can watch it in the shower room -- what they're talking about, the level of excitement. There are many ways you can feel it, and it's better to feel it than to hear it. The camaraderie practically comes out of their bodies. And you don't feel that way when you're losing. Losing reveals things.
-- A good high school coach is the salt of the earth. And when his teams are well coached, a college coach is the direct beneficiary of all his work. When players who have had good high school coaching walk on the floor in college, there isn't much that a coach has to do. I cannot emphasize enough what it means to start with that great coach at the sixth or seventh grade who tries to get kids to do things better. Grade school coaches are the unsung heroes of this country and they're disappearing because it takes a lot of work and constant attention. Sometimes it is too much of a sacrifice.
-- I don't recruit players who are nasty to their parents. That shows they are giving less than they can give and can't forge the bonds essential for a good team. I look for players who understand that the world does not revolve around them.
-- There are so many things that don't show up on the stat sheet, or in the win and loss column, that no one can explain, but you see them and they affect the outcome of games. There are hundreds of them: Players who learn how to do something just by watching compared to those who watch the same demonstration and can't do it; who go after loose balls and come up with every one of them as opposed to someone who tries just as hard and comes up with none. How is it that one guy can deflect a pass over and over again and another cannot? Many times I ask myself the question, "Am I trying to teach this player instinct, or am I teaching him a skill?" Whether you're trying to teach a college player or a seven-year-old, you are looking for instinct.
-- The most important thing that you can do is DO what you are doing well. The most important thing you can do on or off the court is to focus on what you are doing when you are doing it. When you play, PLAY. When you study, STUDY.
-- As a player, you want to be good at those things that happen a lot -- that cannot be overstated. What happens a lot? You dribble, you pass, and you shoot -- you want to be good at those skills.
-- I tell my guys that if they work hard every day, then they don't have to worry about game plans, or where they play, or whom they play, or about rankings and so on. The quality of their work habits can overcome anything: praise, criticism, good or bad coaching. They have their daily behavior to fall back on.
-- I can check the level of your honesty and commitment by the quality of your effort on the court. You cannot separate sports from your life, no matter how hard you try. Your personality shows up on the court: greed, indifference, whatever, it all shows up. You cannot hide it.
-- If a guy cannot pass, the ball stops moving. If he cannot shoot, he will always be open. If he cannot dribble, he cuts his value to the team by one third. Furthermore, if he cannot dribble, the defense will attack him. If you want to become a better dribbler, dribble. Dribble on a court, with a man guarding you. It's one of those skills we are not paying enough attention to.
-- If you want to learn how to shoot a specific shot in basketball, get the mechanics straight, then go out and practice hard. Once you have the right basics, you can teach yourself how to shoot.
-- When a player is told what he has to do to become a better player, does he get mad at the coach, or at himself? If he gets made at the coach, he'll never get better as a player. If he gets mad at himself, he will get better.
-- There's a difference between the guys who play to win and those who play not to lose. A big difference. When you play to win, you do all of the extra things that maybe aren't visible, but the results is that you come out on top. Playing to win [means] subordinating [your] needs to those of the team. Remember, some guys walk out of a losing game having scored 25 points and are perfectly content. If you have guys like that on your team, you're not going to win too many games. You cannot ever forget the human equation in sports.
-- The essence of character is what I call mental and physical courage. Everybody has the potential for courage, but some people -- because they have had to demonstrate it all their lives -- are good at it, whereas others are not until the need suddenly arises and they have to learn to react. Basketball brings out the need for courage.
-- Everybody makes such a big deal today about team play because there's such a scarcity of it. Greed is a reason. You have to understand the influence of greed. A player has to be selfish in the pursuit of the development of his skills, but he cannot be selfish when it comes time to blend them in with what's good for his team.
-- Defense is the heart of our game. Good defense is recognizable even when you're losing. The object of my defensive strategy is to contest every pass and shot, to force the opponent to move the ball under continuous pressure. I want the other team to play offense longer than they're used to. Defense is not a variable. It's a constant. Defense has to be deeply embedded in your attitude. It's something you can do well every time -- both the individual and the team. Skill is a variable. Work is not a variable. It's an attitude. Defense is head, heart, and legs.
-- Nothing is more intimidating than deflecting passes. It makes a passer very tentative. I say that if you don't use your hands, you're committing a bigger sin and aren't as effective defensively.
-- The truth is, you can take whatever defensive philosophy you want and reverse it and a forceful coach will make it work. It's mostly attitude and effort that make a defense successful. But one thing -- putting pressure on the ball -- has more of an impact than any philosophical discussion of how to guard a man. If each player, when he guards his man, can press him, put pressure on him, you'll disturb passes and intimidate your opponents.
-- Good players are always moving their legs.
-- Players who do not compete hard against each other because they're afraid it will affect their friendship have trouble getting better.
-- I don't like to see a guy get patted on the back for doing simple things, for doing the things he should do. You have to be able to tell a player or coach when he does a bad job that it is a bad job. You show respect by praising them when they do the things that deserve praise. They must learn the difference between what is done right and what is done wrong, and if you try to make them similar with easy praise, you'll never succeed in teaching them the difference.
-- When you demand a lot, my experience has been that you get more. If you insist on less, you get that, too. Self-esteem comes from accomplishment, not the other way around. The more you demand, the more they give, the stronger the sense of satisfaction.
-- Every little thing you do on offense counts. That means every pass, every cut, every screen, every dribble is part of the end result and therefore require care and concern. We try to make it simple and we work hard to make things easy.
-- Cut with credibility. What I like my guys to do on offense to start a game is pass and cut through the defense. The minute you do, you start to move the defense, a main goal. It also helps to identify the defense, whether it's a zone, a combo, or a man-to-man. It is essential that when a cutter cuts through, he look for the ball. There will be no credibility to the cut unless the player executes it with authenticity, i.e., believes he might receive the ball.
-- Size is not the most important thing about rebounding. Knowing how to use your body, seeing where the ball is going, that's what counts. It is not the guy who jumps the highest. The guy who jumps the highest is all alone. Jumping in a crowd is another story. Just watch guys like Larry Bird. A good rebounder plays for position, but is always attentive to the ball. You cannot lose sight of the ball. You've got to have some idea where the ball is going and how to prevent your man from getting it.
-- Pivoting is one of the most underrated techniques and skills, and when you go to teach it, someone always asks, "Why bother?" We have to teach the player to disregard the feeling that it's not essential, that it's not necessary in today's game. One reason some players disregard its importance is that they do it so easily.
-- Fakes are like lies. The first thing I tell anyone about faking is that if you're going to fake, your move has to look like the real thing. When you go to tell a lie, it has to be close enough to the truth to be believable. Same thing. So often, guys fake so strenuously that they telegraph the fake: Their fake looks like a fake. Young kids have to be actors and develop cunning. They shouldn't work only on one fake; you always want to have more than one weapon. Also, if you're wide open, don't fake -- shoot!
-- Conditioning: I tell my players if you play hard every time you play, you'll be in good enough shape. Once practice starts, we work hard and that's the best conditioning there is. Everything counts. Run hard, play hard, go after the ball hard, guard hard. Everything we do is game-condition because how you play in practice is how you'll play in a game.
-- How do you know if your team has camaraderie? I can tell by the way they walk off the floor at the end of practice. You can feel their happiness vibrating; you can see how they work out together; you can watch it in the shower room -- what they're talking about, the level of excitement. There are many ways you can feel it, and it's better to feel it than to hear it. The camaraderie practically comes out of their bodies. And you don't feel that way when you're losing. Losing reveals things.
-- A good high school coach is the salt of the earth. And when his teams are well coached, a college coach is the direct beneficiary of all his work. When players who have had good high school coaching walk on the floor in college, there isn't much that a coach has to do. I cannot emphasize enough what it means to start with that great coach at the sixth or seventh grade who tries to get kids to do things better. Grade school coaches are the unsung heroes of this country and they're disappearing because it takes a lot of work and constant attention. Sometimes it is too much of a sacrifice.
-- I don't recruit players who are nasty to their parents. That shows they are giving less than they can give and can't forge the bonds essential for a good team. I look for players who understand that the world does not revolve around them.
-- There are so many things that don't show up on the stat sheet, or in the win and loss column, that no one can explain, but you see them and they affect the outcome of games. There are hundreds of them: Players who learn how to do something just by watching compared to those who watch the same demonstration and can't do it; who go after loose balls and come up with every one of them as opposed to someone who tries just as hard and comes up with none. How is it that one guy can deflect a pass over and over again and another cannot? Many times I ask myself the question, "Am I trying to teach this player instinct, or am I teaching him a skill?" Whether you're trying to teach a college player or a seven-year-old, you are looking for instinct.
-- The most important thing that you can do is DO what you are doing well. The most important thing you can do on or off the court is to focus on what you are doing when you are doing it. When you play, PLAY. When you study, STUDY.
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